A Quote by James Patterson
I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.' “I don’t want anything to happen to you,” he said urgently. “What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.
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I moved to leave, and Dylan actually grabbed me by my shoulders. I was so surprised that I forgot to karate-chop his elbows and break his arms.
Bob Dylan seems to me a totally pernicious influence - the nasal whine of death and masochism. Certainly, this would be a more cheerful world if there were no Dylan records in it. But Dylan and his audience mirror each other, and deserve each other; as Marx said, a morbid society creates its own morbid grave-diggers.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
At the end of the playback of the take of "Like A Rolling Stone", or actually during the thing, Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy's not an organ player. And Dylan said, I don't care, turn the organ up, and that's really how I became an organ player.
One of the reasons I had moved to London to pursue my career was that I could go to the clubs in the evening and maybe meet my heroes, people like Donovan and Bert Jansch and Dylan. I actually did see Dylan in a club one night.
If you want to kill somebody, conquer his heart, Then leave slowly and leave them between death and madness.
Leo got up and brushed himself off. "I hate that guy". He offered Jason his arm like they should go skipping together."I`m Dylan. I`m so cool, I want to date myself, but I can`t figure out how! You want to date me instead? You`re so lucky!" "Leo" Jason said "You`re weird
Roman Polanski actually said as much to me once. He had his head in his hands, and I said, "Roman, I've got to tell you, as an actor, seeing the director with his head in his hands... Look, I really want to do what you want me to do." And he went away and he came back, having obviously thought about what I said. And he said, "When my head is in my hands, I'm closing my eyes and trying to remember what I saw in my head, before any of the stuff."
Wolf," said Ran, enunciating it very carefully. "What an unusual name. Did your parents give it to you?" "Does it matter?" said Wolf, tossing away his bone. "I'm only making conversation." "I'd prefer silence," Wolf said, a growl in his tone.
My mother ran the household. In grade school, I came home crying one day. She said, 'What's wrong?' and I said, 'This kid said he was going to jump on me.' She grabbed me and slammed me on the floor. 'If you don't go out there and stand up for yourself, it's going to be me and you.' I didn't want that to happen.
“Don’t worry, there are many safeguards in place. Unless you want me to have Logan explain—” “No! I trust you.” He clutched his hands to his chest. “She… Gasp… Trusts me! Call for medical aid stat!” I swung at him, but he grabbed my wrist and pulled me to my feet. Snaking his arms around my waist, he said, “We need to celebrate this momentous occasion.” "What are we celebrating?" Jacob Ashon, Riley's father, asked from the doorway.
I was with Miles Davisfor a couple of years as his bass player, and it was a beautiful experience. After two years I said to him, "Listen, man, I want to leave your band." He goes, "Why?" I said, "Because I want to develop not just as a bass player, but I want to get more into composition, into producing, and I'm working with Aretha Franklin and Luther Vandross and all these guys, and I want to really see how much I can grow and develop." He actually gave me his blessing.
I always remember what Bob Dylan said in that [Martin] Scorsese documentary on him. When he was asked about Joan Baez's complaints about the way he treated her when they were together, Dylan laughed and said, "It's impossible to be in love and wise at the same time."
If I marry: He must be so tall that when he is on his knees, as one has said he reaches all the way to heaven. His shoulders must be broad enough to bear the burden of a family. His lips must be strong enough to smile, firm enough to say no, and tender enough to kiss. Love must be so deep that it takes its stand in Christ and so wide that it takes the whole lost world in. He must be active enough to save souls. He must be big enough to be gentle and great enough to be thoughtful. His arms must be strong enough to carry a little child.
Anderson sent me to give you this he said. I believe the subtext was kiss and makeup. This time I was sure I made a face. "I rather kiss a copperhead." I grabbed the envelop from his hand. He laughed and held up his hands in surrender. Don't worry. It was only a figure of speech.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
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