A Quote by James Paxton

A punk group is perfect because literally the lead singer doesn't play anything - he just sings and screams and jumps around; his body is his instrument. — © James Paxton
A punk group is perfect because literally the lead singer doesn't play anything - he just sings and screams and jumps around; his body is his instrument.
It's kind of great being a group without a lead singer, because the possibilities are sky high. Odd things become the lead singer, noises become the lead singer. It actually makes the thing much more flexible.
It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.
Nathaniel closes his eyes and jumps, his arms glued to his sides like that fly's. He doesn't try to break his fall, just hits hard, because it hurts less than everything else.
Man screams from the depths of his soul; the whole era becomes a single, piercing shriek. Art also screams, into the deep darkness, screams for help, screams for the spirit. This is Expressionism.
Jesus Christ was the only one capable of performing the magnificent Atonement because He was the only perfect man and the Only Begotten Son of God the Father. He received His commission for this essential work from His Father before the world was established. His perfect mortal life devoid of sin, the shedding of His blood, His suffering in the garden and upon the cross, His voluntary death, and the Resurrection of His body from the tomb made possible a full Atonement for people of every generation and time.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
It is God's earth out of which man is taken. From it he has his body. His body belongs to his essential being. Man's body is not his prison, his shell his exterior, but man himself. Man does not "have" a body; he does not "have" a soul; rather he "is" body and soul. Man in the beginning is really his body. He is one. He is his body, as Christ is completely his body, as the Church is the body of Christ
Touring is hard. It's really hard on the singer, especially, because your body is your instrument and you have to be so good, it's like boot camp out there; I can't do anything - just sleep, sing and be very healthy.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
A poet's soul must contain the perfect shape of all things good, wise and just. His body must be spotless and without blemish, his life pure, his thoughts high, his studies intense.
Yoga philosophy teaches that real man is not his body, but that the immortal I, of which each human being is conscious to some degree according to his mental evolution, is not the body but merely occupies and uses the body as an instrument.
When you listen to the Anthology of American Folk Music, or anything like that - a compilation of garage bands from the Northeast in the early '60s - you're not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You're just listening to the song and whether or not it has a hook.
I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".
Punk music is perfect for me because I'm not, like, a master at any instrument.
In order to even begin to learn how to play his instrument, it takes the guitarist weeks to build calluses on his fingertips; it takes the saxophonist months to strengthen his lip so that he might play his instrument for only a five-minute stretch; it can take the pianist years to develop dual hand and multiple finger coordination. Why do writers assume they can just “write” with no training whatsoever-and then expect, on their first attempt, to be published internationally? What makes them think they're so much inherently greater, need so much less training than any other artists?
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