A Quote by James Paxton

Punk music is perfect for me because I'm not, like, a master at any instrument. — © James Paxton
Punk music is perfect for me because I'm not, like, a master at any instrument.
Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.
Master your instrument. Master the music. And then forget all that bullshit and just play.
A punk group is perfect because literally the lead singer doesn't play anything - he just sings and screams and jumps around; his body is his instrument.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
There is no greater pride and glory than to be a perfect instrument of the Master.
I wanted to be in a punk band before I had even heard any punk music.
I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
Punk was perfect for lazy people, because anyone could do it--you didn't even need to know how to play your instrument, assuming you knew how to plug it in. There was really no difference between Sid Vicious and anyone in London who owned a bass.
Folk-punk artists like This Bike Is A Pipe Bomb or Paul Baribeau were popular in the Florida punk community. I saw people early on combine roots music with more aggressive music.
I still think of myself as punk, because the way I became empowered to play music is entirely due to punk bands.
Punk's really cool because it's very inclusive of all types, which I like. And I would submit that even though people talk about punk as being thuggish, I think it can be more creative than other types of music.
Did you know that the human voice is the only pure instrument? That it has notes no other instrument has? It's like being between the keys of a piano. The notes are there, you can sing them, but they can't be found on any instrument. That's like me. I live in between this. I live in both worlds, the black and white world.
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