A Quote by James Ponsoldt
And that first screening was overwhelming. You were there. People applauded when the title card comes in; there's a big "gasp moment" partway through the film. It couldn't have gone better, and it was very surreal.
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At the first screening, there were a lot of areas that we went around and around about. Then we had our second screening. It played better. It's almost a reasonable length film now!
When they first said I made it through it was just crazy, I mean all kinds of thoughts were going through my head, and you know to be watching the show for nine seasons and to be on it now is surreal, it's so surreal.
When we first made this whole idea this was going to be calling card film [Moon] and it was going to give the opportunity to make my first feature film. But it turned out a lot better, we just couldn't stop ourselves from going into it, and we are very proud that it turned into something that people wanted to see.
It's a very strange experience to watch yourself in a movie anyway. I most frequently don't do it, but if I was going to do it, I would do it in a private way, not at a public screening at a film festival, which is just an overwhelming experience.
The title 'Dohchay' is very perfect for the film. It is used very well in the title track. If you see the film, you will understand it.
A few weeks ago I went to a screening of 'Portrait of a Lady on Fire' at Utopia. I'm not a very introspective person but when I get on that stage, it feels even more overwhelming than showing my films at the Cannes film festival. Because standing there, I'm so close to my past. I can see how far I've come.
Cannes is one of the biggest film festivals across the globe, and getting your film selected for a screening is quite a big achievement.
The problem of poor vision has gone unnoticed for too long - it's astounding that 700 years after glasses were first invented, there are still 2.5 billion people across the world without access to something as simple as eye screening or a pair of glasses.
The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.
Believe it or not, I thought each season of 'The Bachelorette' would be my last, and 'Bachelor in Paradise' was no different. So, when I was asked to be the Bachelor it was avery surreal moment. In fact, it was so surreal that my first response was, I don't know if I can do this.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
When better screening certain Muslim immigrants first came up, one of the big defenders was Carl Higbie. He's a former Navy Sean and a [Donald] Trump supporter.
I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful or sound so great. It was really big and really powerful, and I had a sense of accomplishment in finishing a project like this.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
In This Moment has gone through some big changes.
When we made 'Night of the Living Dead,' we got riddled. There was this famous article Roger Ebert wrote just blasting the film because he had gone to see it at some screening where there were all these kids in the audience. I don't know why that happened. We didn't make the movie for kids.
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