A Quote by James Purefoy

I think, as an actor, I would find it a little run-of-the-mill doing procedurals where it's the same sort of thing week in and week out. Your character doesn't get to grow very much, which, purely from an actor's point of view, you want to see an arc of your character.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
When I was in college, I did sort of want to be a journalist. Being an actor, you kind of have the same interest. You go into a story, and you tell it from your point of view for people who aren't there. That's what an actor does with a character. But the real life is more more interesting.
With movies, you come and go as an actor, especially if you are not the lead, from week to week. You don't really have a lot of time to get to know anyone, and then on to the next thing. I know a lot of actors who find fulfillment in playing an entirely new character. I like to stick with one character and create a family with the people around me.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
I was a repertory actor, which meant that I did a play every week. I was a different character every week; for a year, I was doing 40 or 50 characters.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
As an actor, you don't want to know the beginning and end to your character's arc. It makes it more fun. You're not playing the end. You're playing it realistically. You don't know where this character is going to go and what's going to happen to him, which just makes it more interesting for the viewers to watch. They're going on the journey with you, as the actor and the character.
To me, great writing - and when you can really make something wonderful out of it as an actor - is when your character has a sense of self-awareness. It doesn't necessarily have to arc. It doesn't have to grow.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
Week-by-week you grow with your character and it's an interesting challenge.
I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous.
I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long.
As an actor, you can have your opinions, but our responsibility is telling the point of view of this one character.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
TV is longer form, and that's sometimes a positive, and sometimes a more challenging thing. As an actor, you want to be able to have your character develop or transform in some way. When you're acting on a show over the course of multiple seasons, you get to watch a character really grow and change, and go from one place to an entirely other place.
I really tried to work out hard to emulate the look and feel of the character, and did my best to represent the great artists that created him. At the same time, as an actor you have to find what you relate to in the character and make it your own, and hopefully people respond to it.
This site uses cookies to ensure you get the best experience. More info...
Got it!