A Quote by James Purefoy
Decide very early on: do you want to be an actor or do you want to be famous? Because they're very different routes.
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I think, at the end of the day, you have to decide what you want. Do you want to be famous? Do you want to be rich? Do you want to have a career? Those are three very different things.
I don't want to become a star. I never wished to become an actor, even when I am here. When you decide to become an actor, you've to choose why you're doing it. Are you doing it to become an actor or because you want to be famous? I am doing it because I love being in front of the camera.
If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."
I suppose it's whether you want to be a famous person, or whether you want to be an actor. You have to decide what your priorities are. Great actor, huge star. Sometimes, the two walk hand in hand. Most of the time, they don't.
You're very in tune with, because actors are all different, and it's very tricky when you throw us all together because we all work differently. You want to get the best work out of every individual actor.
I want to become actor not because I want money and become more famous. No I don't want that. It is not that l want stardom, I want to contribute to good cinema.
I've always known that I wanted to be different. I wanted to stand out, so my gear is very elaborate, very blingy, very loud, because I want people to notice me, want to look like me. The Boss necklace, the ring. I want everything big.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
And I don't want to live anywhere where I am famous. It makes me very, very uncomfortable, because it conveys an advantage over people, and I don't like that.
I can't have friends in every port. I have to work very hard and be very clear about what I want to do. I cannot just swallow everything I am told. I have to decide what I want to become part of my luggage - and what I don't.
When you're very famous, very young, there's that little thing of, 'Are they being nice to me because they think I'm a nice person? Or is it because they want to tell their friends 'Guess who I was with last night?'
Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.
If you accuse me of being on drugs because I'm very focused on what I do, because I'm very serious, because I'm very hungry, because I can squat 800 lbs, because I can bench 500 lbs, because I can press 315 behind my neck, and if these things don't fit under what you consider to be natural, then I don't want to be a natural. I don't want to be what you depict as a natural. I want to define myself for me.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
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