A Quote by James Q. Wilson

Crime is the price society pays for abandoning character. — © James Q. Wilson
Crime is the price society pays for abandoning character.
The price which society pays for the law of competition, like the price it pays for cheap comforts and luxuries, is great; but the advantages of this law are also greater still than its cost- for it is to this law that we owe our wonderful material development, which brings improved conditions in its train.
Bankers, they're not harmed by their mistakes. They benefit when things go right, and the society pays the price.
There is something utterly nauseating about a system of society which pays a harlot 25 times as much as it pays its prime minister, 250 times as much as it pays its members of Parliament and 500 times as much as it pays some of its ministers of religion.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
One of the biggest lies in the world is that crime doesn't pay. Of course, crime pays.
It means abandoning being a poet, abandoning your careerism, abandoning even the idea of writing any poetry, really abandoning, giving up as hopeless - abandoning the possibility of really expressing yourself to the nations of the world. Abandoning the idea of being a prophet with honor and dignity, and abandoning the glory of poetry and just settling down in the muck of your own mindYou really have to make a resolution to write for yourself, in the sense of not writing to impress yourself, but just writing what your self is saying.
I saw that crime pays, but I never got involved in crime.
Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now.
Do lifelong artists pay a price for having chosen to make art? Of course. Everyone pays the price for his or her choices.
Satan promises the best, but pays with the worst; he promises honor, and pays with disgrace; he promises pleasure, and pays with pain; he promises profit, and pays with loss, he promises life, and pays with death. But God pays as he promises; all his payments are made in pure gold.
Obviously crime pays, or there'd be no crime.
As a form of moral insurance, at least, literature is much more dependable than a system of beliefs or a philosophical doctrine. Since there are no laws that can protect us from ourselves, no criminal code is capable of preventing a true crime against literature; though we can condemn the material suppression of literature - the persecution of writers, acts of censorship, the burning of books - we are powerless when it comes to its worst violation: that of not reading the books. For that crime, a person pays with his whole life; if the offender is a nation, it pays with its history.
I believe that the high rates of property crime (and some of the increase in violent crime) are part of the price you pay for freedom.
Plants grow most in the darkest hours preceding dawn; so do human souls. Nature always pays for a brave fight. Sometimes she pays in strengthened moral muscle, sometimes in deepened spiritual insight, sometimes in a broadening, mellowing, sweetening of the fibres of character,—but she always pays.
Society had a crime problem. It hired cops to attack crime. Now society has a cop problem.
The man who forgives pays a tremendous price - the price of the evil he forgives.
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