A Quote by James Redfield

The First Insight Theory: Mysterious coincidences cause the reconsideration of the inherent mystery that surrounds our individual lives on this planet. — © James Redfield
The First Insight Theory: Mysterious coincidences cause the reconsideration of the inherent mystery that surrounds our individual lives on this planet.
I think a director can make a play happen before your eyes so that you are part of it and it is part of you. If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives.
Both individual fulfillment and the ecological balance of life on this planet are best served by dying when our inherent biology decrees that we do.
There are no real coincidences in life for those with faith strong enough to recognize coincidences for what they really are: intricate pieces of the providential design God created for each of our lives.
Knowing our personal mission further enhances the flow of mysterious coincidences as we are guided toward our destinies. First we have a question, then dreams, daydreams, and intuitions lead us toward the answers, which usually are synchronistically provided by the wisdom of another human being.
No generalizing beyond the data, no theory. No theory, no insight. And if no insight, why do research.
Knowing our personal mission further enhances the flow of mysterious coincidences as we are guided toward our destinies.
We live on a minute island of known things. Our undiminished wonder at the mystery which surrounds us is what makes us human. In science fiction we can approach that mystery, not in small, everyday symbols, but in bigger ones of space and time.
Movies are to our civilization what dreams and ideals are to individual lives: They express the mystery and help define the nature of who we are and what we are becoming.
Our great whirling planet, our human individuality, were not given to us merely that we might exist for a time and then vanish into nothingness, but that we might question what it is all about. To live without understanding the purpose of life is foolish, a waste of time. The mystery of life surrounds us; we were given intelligence in order to solve it.
it is wrong to chide the novel for being fascinated by mysterious coincidences... but it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life a dimension of beauty.
We have such little mystery in our lives generally because of how we live now. I mean, of course, mystery is all around us, but the way we live our lives now, we're too busy to be bothered with it.
The real question is not whether machines think but whether men do. The mystery which surrounds a thinking machine already surrounds a thinking man.
In this nonfundamentalist understanding of faith, practice is more important than theory, love more important than law, and mystery is seen as an insight into truth rather than an obstacle. It is the great lie of our time that all religious faith has to be fundamentalist to be valid.
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
An understanding of what food is and how cooking works does no violence to the art of cuisine, destroys no delightful mystery. Instead, the mystery expands from matters of expertise and taste to encompass the hidden patterns and wonderful coincidences of nature.
Julian once wrote that coincidences are the scars of fate. There are no coincidences, Daniel. We are puppets of our subconscious desires.
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