A Quote by James Redfield
The things that we preceive as beautiful may be different, but the actual characteristics we ascribe to beautiful objects are similar. Think about it. When something strikes us as beautiful, it displays more presence and sharpness of shape and vividness of color, doesn't it? It stands out. It shines. It seems almost iridescent compared to the dullness of other objects less attractive.
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For me, life offers so many complexly appealing moments that two beautiful objects may be equally beautiful for different reasons and at different times. How can one choose?
What is beautiful for you may not be beautiful to someone else. Or whatever is beautiful here may not be beautiful there and what is sometimes beautiful today is not necessarily beautiful tomorrow. Perhaps this is the story of fashion and what makes it move forward, the fact that there is no decision whatsoever with what’s wrong.
We need objects to remind us of the commitments we've made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we're in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
Anything that is beautiful is beautiful just as it is. Praise forms no part of its beauty, since praise makes things neither better nor worse. This applies even more to what it commonly called beautiful: natural objects, for example, or works of art. True beauty has no need of anything beyond itself.
The cart before the horse is neither beautiful nor useful. Before we can adorn our houses with beautiful objects the walls must bestripped, and our lives must be stripped, and beautiful housekeeping and beautiful living laid for a foundation.
We are little animals walking on the ground, we have a certain life time, we are acting and interacting with different people, and we are trying to build things, but we are just some sort of virus compared to the entire sky. You always have to remember that the moon, the earth, the sun, they are like the real universal objects. We are just passing by, and it makes life more beautiful to think that way. More relaxing to think that way, that nothing is really important, because you give yourself much more confidence and you forgive yourself more things when you think about that.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
I love grand scale. One of the things that everybody mentions is that my novels are beautiful objects in the sense that the elements of the actual book are being extruded and re-contextualized.
I think that each women, whatever age, needs to recognise something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful décolletage or a beautiful waist or beautiful hands. Everyone has something great.
I think that each woman, whatever age, needs to recognize something good in her body. Someone has beautiful legs, someone has beautiful hair, someone else has beautiful decolletage or a beautiful waist or beautiful hands. Everyone has something great.
It is beautiful to talk about beautiful things
And even more beautiful to silently gaze at them.
She was--I keep using the past tense; I ought to say she is--one of those people who, at first sight, look plain, are quiet, unassertive, unmemorable even. But who, when they start to talk and you get to know them, become more and more attractive and impressive, and you see that in fact they are beautiful. Not conventionally beautiful, not celebrity beautiful, but beautiful all through.
Human beings look so different from each other, voices are so different, everything about us is so individual, and that's so exciting and juicy and appealing, and we're attached to these things and they're so fascinating and beautiful - I don't just mean model-beautiful, but all the individual forms that people can take.
Beautiful objects, ideas, even beautiful people all share the power to lift the spirits and motivate creativity while at the same time soothing the soul.
I knew it was beautiful, but knowing something is beautiful and caring about it are two very different things, and I didn't care.
Beauty is too easy. Often in my work, I take beautiful objects and do extreme things to them so that they are overlaid with something a bit more sinister and violent.
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