A Quote by James Righton
There's a few bands that I always read about that complain about everything: the travel, the fans... you know they could be working a 9-to-5 job. They should get out if they don't like it. They should just get out. It's quite easy.
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People in bands should have a responsibility not to moan, not to complain about being in bands. Things could be a lot worse, you know?
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
I could eat healthier, I could drink less. I should be learning another language and working out more, but I'm just always saying, 'Ah, I could get hit by a bus tomorrow.'
I should be learning another language and working out more, but I'm just always saying, 'Ah, I could get hit by a bus tomorrow.'
Things like rhyming - it just wasn't falling out of my head that way. So I started to get quite freaked out that I just couldn't write anymore. And then I just kind of went with it, and thought that, "This is the way that my brain's working," in a more direct way, then I should just try it like that for this album. And follow it. Just went with the writer's block, almost - it's a strange thing.
I was working with D'Mile - he's amazing! And I don't know, it was like that guitar riff was so crazy to me, and so I think I was frustrated about something that happened earlier and I feel like I'm just a good guy, I don't cut people off, I don't really call people out when they do stuff that they should be called out on, and I'm just always the one being the bigger person. So, that day "Gangster" just came out. That's just how I feel in that day to day life.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
... I just want to remind the owners and the players: you guys make money because you have a whole bunch of fans out there who are working really hard. They buy tickets. They're watching on TV. Ya'll should be able to figure this out. Get this done.
There's something you can get away with when you know you're only going to be on one season. There's no sense of, "We should save that." It's just like, "Use that! Get it out there now. They could shut us down any second!"
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
I should just stop trying to control what's coming out of my mouth. I'm always going to keep what's important to me in mind and I completely understand considering that we're playing characters that are so coveted by so many people so I get why they want to know more about us. I just sort of have to not think about it.
We went to America a few times and [Brian] Epstein always tried to waffle on at us about saying nothing about Vietnam. So there came a time when George [Harrison] and I said 'Listen, when they ask next time, we're going to say we don't like that war and we think they should get right out.' That's what we did.
The phrase 'I just turn on my monkey and it makes me feel good' sounds very dirty, but I can't explain why. It's great to try to use expressions like that on the comics page. People want to complain but they can't, because they can't figure out quite what they should be complaining about.
You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.
I find it quite easy to get in and out of character. I don't know why - I guess it's my job.
On the court, I get the opportunity to just open up all my feelings, everything that's wrong, everything I struggle with, I get to come out here and forget about it and get it out.
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