A Quote by James Righton

I've always been attracted to odd chord changes and interesting melodies. — © James Righton
I've always been attracted to odd chord changes and interesting melodies.
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
When we do reggae, it's normally a one-chord or a two-chord, or whatever it is. With Sting, there'll be chord changes, key changes.
I like inventive melodies and chord changes, a little bit of creativity.
The more melodies and chord changes, the less good it is for the clubs, but the better it is for radio, because it makes it really emotional.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
The melodies are always the most important part to me. I am pulled more to the groove than the chord progression. After you find the groove, you find the most simple chord progressions and then sit inside that groove.
I've always been attracted to sad. If you look at Woody Allen movies, he's often playing a sad clown, and it's always been interesting. And angry clown is even more interesting.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
I found when I started getting serious about writing music, that my writing was country songs. It was basically country subject matter, country melodies and simple chord changes.
I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.
I compose melodies in my head and then interpret them musically with my guitar and keep them recorded. The guitar helps me to build unique chord structures on simple melodies.
As the chord changes go by, I don't so much think about a static chord voicing changing. I just see the notes on the neck change.
I've always been attracted to characters that were interesting to me, and different.
I could hear it sometimes, but I couldn't play it. I'd been getting bored with the stereotyped changes that were being used. I found that by using the higher intervals of a chord as a melody line and backing them with related changes, I could play the thing I'd been hearing.
I've always been attracted to the gayish side of fashion. It's just more interesting.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
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