A Quote by James Righton

To play the ultimate Reading set, you need to freak yourself out for a few days beforehand. — © James Righton
To play the ultimate Reading set, you need to freak yourself out for a few days beforehand.
I don't really think of records beforehand. I don't want them to freak me out.
If you can play live and support yourself, it's one of the few ways you're going to actually get paid in this business these days.
I remember telling myself when I got to start having artist opportunities, 'Let yourself be a fan, because you are. The minute that you walk in a room with Carrie Underwood, and you're too cool to freak out, you need to check yourself.' I just let myself be a fan.
I love a lot of the young, new artists who are coming up, including Adele. I suppose anybody would freak out to work with her. To be able to play a saxophone solo on one of her songs would be the most ultimate thing ever.
For me, you have to do as much work as you can beforehand and, once you get on stage or set, throw it out the window because you need to be collaborative. You shouldn't have too many ideas about where it goes before you get into the room with the director and other actors.
Don’t sign on for more problems than you must. Resist the temptation to involve yourself in other people’s zones of expertise and responsibility. Monitor troublesome situations if you need to, but don’t insert yourself unless you’re running out of time and a solution is nowhere in sight. In short, stifle your inner control freak.
If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.
Sometimes you can just have a dialogue with an actor beforehand and shape the performance then, but other actors need more guidance on the set.
Football is the ultimate team sport. You're dependent on 10 other people on the field to have success on a particular play to get to the common goal, which is the win. On a set, we need everybody doing their job and pulling their weight.
When you are fed up with the troublesome present, you take your gun, whistle for your dog, go out to the mountain, and, without further ado, give yourself the pleasure during a few hours or a few days of being "Paleolithic."
I try to get to the gym at least a few times a week, hopefully more. I also play hockey in a pickup league. I grew up playing, so it's nice to get on the ice whenever I can. With all that said, everyone should have cheat days or days off. You need to balance the unhealthy with the healthy.
I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.
I hate to say it, but Christmas as a kid was always a moneymaking venture for me. I played trumpet, and a friend of mine who played trombone and a guy who played tuba, every Christmas we'd go out for three or four days beforehand and play Christmas carols on our horns.
Everything we play when we are growing up, is team related. In this game (of golf) you can find all the answers yourself. You don't need to throw the ball in the air and play catch with yourself. You get a bucket of balls and go out there with your clubs, and you hit and learn and you get better. And there's no top.
Fantastic days are what you wish upon those who have so few sunrises left, those whose lungs are so lesion-spangled with new cancer that they should be embracing as much life as they can. Time's a-wasting, go out and have yourself a fantastic day! Fantastic days are for goners.
I think it's probably best to work out in the morning to get it out of the way. My ultimate top tip is to drag yourself, even if you have to roll yourself out of your bed and in to a sit-up - it's really not that bad once you start.
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