A Quote by James Righton

The Smiths did that well, putting words in pop songs you wouldn't hear anywhere else. — © James Righton
The Smiths did that well, putting words in pop songs you wouldn't hear anywhere else.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
I have so much pride and love for the songs of The Smiths. However, I must ask you, if you come across any Smiths CDs, don't buy them, because all the money goes to that wretched drummer.
Stefflon Don songs go off in the club... well, basically, anywhere people hear them.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
You don't want to be a one-trick pony. On a lot of Smiths songs, I used a pick or a plectrum, and for some of the slow songs, I used my thumbs and my fingers. That's why I love the bass - it's adaptable, and you can express yourself so well with it.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
There's so many different kinds of songs that could be pop songs. I don't think pop songs should sound the same.
I kinda learned to sing singing to Echo and the Bunnymen songs and Smiths songs: Morrissey would be a big favorite.
People make songs so that somebody else will hear them and want to do them. I guess it's an indication that the songs aren't so ultra-personal that they can't possibly be interpreted by anyone else.
I sing songs from the theater and pop songs. When I say 'pop songs,' I mean from the 90's. And I tell jokes. So it's sort of a stand up show meets a concert - not your traditional lounging across a piano cabaret show. It's much looser.
Did you like it?" he said. "I could have given you...jewelry, but I wanted it to be something that was wholly yours. That no one else would hear or own. And I am not good with words, so I wrote how I felt about you in music." He paused. "Did you like it?
I know there's bands that might write something that sounds like The Smiths, and they'll go, 'Oh, it sounds like The Smiths, we've got to make it sound not like The Smiths.'
I have a lot of songs that I kind of put away, and I don't let anybody else hear them, and those are my songs.
A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.
In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
You can hear songs that are technically great, songs that tick all the boxes. But for a song to be felt, you need something else.
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