A Quote by James Robertson

I prefer the pen. There is something elemental about the glide and flow of nib and ink on paper. — © James Robertson
I prefer the pen. There is something elemental about the glide and flow of nib and ink on paper.
The pen is very quick for getting stuff from your brain to the page. I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
I got myself a really nice nib pen, with like 15 kinds of India Ink, and tons of different nibs; I think I was just procrastinating, like, once I have the right nib, the book is just going to jump right out of my fingertips... but then it just ended up looking like the shitty drawings that I usually do.
I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
To a theoretical physicist, there is no greater joy than to see that this curious activity we call calculation - the depositing of ink on paper, followed by throwing away the paper and depositing new ink on more paper - can actually tell us something about reality.
I love writing thank-you notes. There's something very nostalgic to me about the feel of a card and putting pen to paper. How many times in our lives are we required to put pen to paper anymore?
My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.
I work with pen and paper. That's my favorite way to write. I love the way the ink sinks into the wood, soaks into the wood pulp. There's something about that process that's so organic.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
I use a G-Pen from Zebra. Different people have different preferred pen nibs. I don't put much force on it when I draw, so I'll generally use a single nib for about three chapters.
I have always had more dread of a pen, a bottle of ink, and a sheet of paper than of a sword or pistol.
The condemned social order has not been built up on paper and ink, and I don't fancy that a combination of paper and ink will ever put an end to it.
I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.
There was something soothing about the crackle of paper, the smell of ink, and the soft scratching of nibs and brushes.
I use Pilot's document ink, but their drawing ink is OK, too. It's just that I don't like the impression that clings to the pen tip.
I got to take classes in writing with a fountain pen, and actually, something you make is your own textbook. So, while you're learning about something, you have to write essays on it, and then you handwrite in cursive, in fountain pen, your essays out on beautiful paper and you bind it together into a book that you hand in at the end of the course.
I remember when the Bic pen was controversial. They came from France. They were cheap, and when one was out of ink, you threw it away; you didn't dip it into more ink.
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