A Quote by James Roday
USA does such a great job sort of branding and packaging their shows and you know, they move and they sort of you got to keep up, you've really got to keep up with the train.
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You got to do what's happening today in the world. You got to keep up with time. Keep up to date, keep modern - keep up on your toes!
You know, I was born blonde, and now I have to sort of keep it up. It's got more brown in it now; it's a little bit less blonde.
It's a funny thing when you think you're dead. You're not terrified of it anymore. There's a sort of a epiphany to religious thing; it's not sort of church-based, but you end up with a serenity which you didn't have before, and I just simply enjoy it. It really does sound stupid, but I've got to tell you it's made my life.
If you're a baseball player and you're on the mound, you don't ever want to look up in the stands if somebody is yelling at you, because they know they've got you. You just keep your head down, keep moving along. Of course it annoys you, but you don't ever show that it annoys you. Just go ahead, move on, and keep on playing.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
Murdoc is sort of the, um, it’s his band. He sort of put Gorillaz together. It’s his idea. But he’s sort of an ugly, sort of, snaggle-toothed Satanist who didn’t actually get the job of being the lead singer ‘cause he isn’t very handsome. So, 2D got the job, which is always going to piss him off.
I sort of got into Westerns... It was a sort of desperation move, really. I had several pictures that didn't go very well, and I just realised that I would have to try something else.
If [Sean] doesn't see me a few days or if I'm really, really busy, and I just sort of get a glimpse of him, or if I'm feeling depressed without him even seeing me, he sort of picks up on it. And he starts getting that way. So I can no longer afford to have artistic depressions. If I start wallowing in a depression, he'll start coming down with stuff, so I'm sort of obligated to keep up. And sometimes I can't, because something will make me depressed and sure as hell he'll get a cold or trap his finger in a door or something, and so now I have sort of more reason to stay healthy or bright.
Ultimately, you know, I'm a grown-up, I've been in this business a long time. I've got kids. I've got to do my stuff. But I also need to keep it there so I can bring it up again the next day at work or whatever.
You got to control your own destiny. You got to keep writin different stuff. Keep switchin up and never do the same thin too many times.
Nobody else can really begin to sort out for you what to accept and what to reject in terms of what wakes you up and what makes you fall asleep. No one else can really sort out for you what to accept - what opens up your world - and what to reject - what seems to keep you going round and round in some kind of repetitive misery.
I started out to be a person on the street, just like everybody else. I didn't start out to be a singer. But I got sort of swept up in this singing thing, and after I got involved in it it got really important to me if I was good or not.
We've got to keep fighting. Got to keep agitating. Got to keep making sure that we put pressure on the people who make the laws, and the decisions, in this country.
I have got lots of confidence in my own ability and I know I have got to keep up my standards.
'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
When you start looking at a problem and it seems really simple, you don't really understand the complexity of the problem. Then you get into the problem, and you see that it's really complicated, and you come up with all these convoluted solutions. That's sort of the middle, and that's where most people stop... But the really great person will keep on going and find the key, the underlying principle of the problem - and come up with an elegant, really beautiful solution that works.
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