A Quote by James Roday

It's rare that you sit down for an episode of 'Psych' and think, 'Oh, that was just okay.' For the most part, we're either really knocking the ball around, or we're striking out and failing miserably, but you don't ever want to be anywhere in between.
For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.
Sometimes it's hard for me to dress for normal situations. A lot of the time I'm either performing or travelling - so what I wear is either really fun or just really comfortable. For anything in between I think, 'Oh God, I don't know how to dress myself. But when I get on stage I'm just like, 'I can wear anything I want!'
Oh," he said, knocking a red ball into a hole. "It's you." "You were expecting someone else?" I asked. "Am I interrupting your social calender?" I made a big show of glancing around the empty room. "I don't want to keep you from the mob of fans beating down your door." "Hey, a guy can hope. I mean, it's not impossible that a car full of scantily clad sorority girls might break down outside and need my help.
I think a lot of women feel so obligated right now to do so many different things that they don't really stop and think what do they want and it's okay not be anything. It's okay not to have a big career. It's okay not to have children. It's much better to figure out what you really want. What really makes you happy instead of what everybody else wanted for you.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
Most people are so busy knocking themselves out trying to do everything they think they should do, they never get around to what they want to do.
Most people are so busy knocking themselves out trying to do everything they think they should, they never get around to do what they want to do.
If there's no overlap between the interests of the people you sit down with, then the negotiations really can't be driven anywhere.
To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.
I used to psych myself up before the show and now I do the complete opposite: I psych myself down. It's 12:30 at night, you don't want some guy yelling at you. You want some guy just talking to you.
I intentionally leave adults out in my stories, not to say that they're not in charge or that they don't care, or that they're failing at what they do. Not at all. It's two things: It's a way to be true to what adolescence feels like, because, okay, your parents may be around, but you still don't want them to be around. What you go through, you go through alone, I think.
The part of football you don't see with all the buddies I ever had, we might have gone out and thrown some passes, but we never went out to knock the hell out of each other just to do it. You do that when the time comes to push the ball downfield or keep it from going down the field. That's why I think football has a great place.
I work out all the time! I don't just sit around and eat burgers whenever I want. Oh, if I could I probably would, but I don't.
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.
We can sit around and go, okay, is there really a plan, does somebody really know what's happening, is it all planned out, because sometimes it just seems too remarkable to me the things that have happened to me.
The goal is to avoid mediocrity by being prepared to try something and either failing miserably or triumphing grandly.
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