A Quote by James Rollins

I don't actually have a one wellspring of inspiration. Though I'm most often inspired while reading - both fiction and nonfiction. — © James Rollins
I don't actually have a one wellspring of inspiration. Though I'm most often inspired while reading - both fiction and nonfiction.
I don't actually have a one wellspring of inspiration. Though I'm most often inspired while reading - both fiction and nonfiction. I subscribe to National Geographic, Scientific American, Discover, and a slew of other magazines. And it is while reading articles for pleasure and interest that an interesting 'What if?' will pop into my head.
Beyond that, I seem to be compelled to write science fiction, rather than fantasy or mysteries or some other genre more likely to climb onto bestseller lists even though I enjoy reading a wide variety of literature, both fiction and nonfiction.
I read nonfiction. There's very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.
Generally, I read nonfiction. Theres very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.
Generally, I read nonfiction. There's very little fiction that I enjoy enough to spend my time reading. I am generally a nonfiction guy.
Prose gets divided up into fiction and nonfiction and short fiction and long fiction and autobiographical nonfiction and so on. Poetry can do any of those things except with the added definition of intensified formal pressure.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
I write both fiction and nonfiction. I begin my fiction with the main character. The story comes later.
I remember reading an interview with a writer who said that in nonfiction if you have one lie it sort of messes it up. But in fiction the real details give you so much more credibility, because people do so much research just to write fiction. In fiction you're trying to recreate something lifelike.
Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
I find now I'm reading a lot more nonfiction, simply because every time I read fiction, I think I can write it better. But every time I read nonfiction, I learn things.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
I don't read much nonfiction because the nonfiction I do read always seems to be so badly written. What I enjoy about fiction - the great gift of fiction - is that it gives language an opportunity to happen.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created.
For a while I just couldn't imagine that there was a place for me in nonfiction. I looked around at what we were calling nonfiction and I thought, "Maybe you do have to go to poetry in order to do this other weird thing in nonfiction."
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