A Quote by James Russell Lowell

These pearls of thought in Persian gulfs were bred, Each softly lucent as a rounded moon; The diver Omar plucked them from their bed, Fitzgerald strung them on an English thread.
I am the thread that runs through all these pearls, and each pearl is a religion or even a sect thereof. Such are the different pearls, and God is the thread that runs through all of them; most people, however, are entirely unconscious of it.
All religions are like precious pearls strung on the golden thread of divinity.
We follow a path of discovery, strung like pearls on a thread of curiosity, lending richness to our work.
There were three options [in Allied], which were for [Bred Pitt] to shoot [Marion Cotillard], for them to escape, or for her to pull the trigger, which is a heroic act to spare him. When I was thinking about how it would end, a long time ago, I think I tried each of them to see, but two of them did not work.
Throughout Asia and Europe, pearls were traditionally believed to ease a range of conditions, including eye diseases, fever, insomnia, 'female complaints', dysentery, whooping cough, measles, loss of virility, and bed-wetting ... Though nobody seems to advertise the potential for pearls to cure bed-wetting anymore.
Teach them the quiet words of kindness, to live beyond themselves. Urge them toward excellence, drive them toward gentleness, pull them deep into yourself, pull them upward toward manhood, but softly like an angel arranging clouds. Let your spirit move through them softly.
Bootleggers were romanticized by people like F. Scott Fitzgerald, for example. Gatsby is a bootlegger. And they were not thought of as evil criminals in the newspapers, either. There was a certain amount of affection for them.
Faith is the silver thread upon which the pearls of the graces are to be hung. Break that, and you have broken the string - the pearls lie scattered on the ground.
I always talk about Meredith and Derrick from 'Grey's Anatomy,' and I loved them the most when they sort of opened and closed each episode with them in bed, happy with each other, and you didn't need to insert extra conflict into them, because there was plenty of conflict in the show. So they were this port in the storm of conflict.
The Iranian people were converted to Islam not very much longer after the conquest of the Arab world by Islam, but they refused to adopt the Arabic language, and it's a great point of pride to them that Persian culture and the Persian language and Persian literature survived the conversion to Islam. And the conversion to Islam also was for most of them not the Sunni majority form, but the Shia one. So there's a great discrepancy between Iranian society and many other of what we think of as Arab Muslim States and systems.
Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them.
As I became an adult, I listened to a lot of jazz, to the ladies of jazz, Ella Fitzgerald and Carmen McRae and Nina Simone. I loved that they each covered the same songs and interpreted them totally differently. I thought that was so cool. They could each paint their own picture of that moment.
Scilurus on his death-bed, being about to leave four-score sons surviving, offered a bundle of darts to each of them, and bade them break them. When all refused, drawing out one by one, he easily broke them, thus teaching them that if they held together, they would continue strong; but if they fell out and were divided, they would become weak.
Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all! Wind them and twist them together, they become an enormity.
I am not collecting copies of the cheaper editions of Omar Khayyám. I gave the last four that I received to the lift-boy, and I like to think of him reading them, with FitzGerald's notes, to his aged mother. Lift-boys always have aged mothers; shows such nice feeling on their part, I think.
I'd like to do Nicole Diver in F. Scott Fitzgerald's 'Tender Is the Night,' if that ever gets made.
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