A Quote by James Russell Lowell
Nature, they say, doth dote,
And cannot make a man
Save on some worn-out plan
Repeating us by rote:
For him her Old World moulds aside she threw
And, choosing sweet clay from the breast
Of the unexhausted West,
With stuff untainted shaped a hero new.
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Nature, they say, doth dote, And cannot make a man Save on some worn-out plan, Repeating us by rote.
I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel, world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.
Who ever saw his old clothes, - his old coat, actually worn out, resolved into its primitive elements, so that it was not a deed of charity to bestow it on some poor boy, by him perchance to be bestowed on some poorer still, or shall we say richer, who could do with less? I say, beware of all enterprises that require new clothes, and not rather a new wearer of clothes.
She can never tell him what she started to say: that we come to love those who save us. For although Anna does believe this is true, the word that stuck in her throat was not save but shame.
Nature wishes that woman should attract man, yet she often cunningly moulds into her face a little sarcasm, which seems to say, 'Yes, I am willing to attract, but to attract a little better kind of a man than any I yet behold
When Nature her great masterpiece designed,And framed her last, best work, the human mind,Her eye intent on all the wondrous plan,She formed of various stuff the various Man.
She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.
Every wife ought to answer for her man. If the husband be engaged in a seditious club, or drinks mysterious healths, or be frugal of his candles on a rejoicing night, let her look to him and keep him out of harm's way; or the world will be apt to say, she has a mind to be a widow before her time. She ought, in such cases, to exert the authority of the curtain lecture; and if she finds him of a rebellious disposition, to tame him, as they do birds of prey, by dinning him in the ears all night long.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
At the same time that she [nature] solicits him [man] to follow her not only into her open walks, but likewise to explore her secret recesses, she - fails not to reward him with the purest gratifications of the mind, because at every step he takes, new instances of beauty, variety, and perfection are unfolded to his view.
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
Nature exists for man no more than she does for monkeys, and is as regardless of his life or pleasure or success as she is of the fleas. Her waves will drown him, her fire burn him, and her earth devour him, her storms and lightning smite him, as if he were only a dog.
The old men of the village of Mahotière say that the Mistress of the Water is a mulatto woman. At midnight she comes out of the spring and sings while combing her dripping long hair, which makes a sound sweeter than a violin. It is a song of perdition for whomever hears it. There is no sign of the Cross, no "Our Father" to save him. Her curse takes him like a fish in a net and the Mistress of the Water awaits him on the edge of the spring and smiles upon him and tells him to follow her to the depths, from which he will never return.
And she loved a man who was made out of nothing. A few hours without him and right away she’d be missing him with her whole body, sitting in her office surrounded by polyethylene and concrete and thinking of him. And every time she’d boil water for coffee in her ground-floor office, she’d let the steam cover her face, imagining it was him stroking her cheeks, her eyelids and she’d wait for the day to be over, so she could go to her apartment building, climb the flight of stairs, turn the key in the door, and find him waiting for her, naked and still between the sheets of her empty bed.
She thought that this man was her savior, that he had come to her at a time in her life when her life demanded completion, an end, a permanent fixing of all that was troubled and shifting and deadly. And yet it was absurd to think this. No person could save another. So she drew back from him and released him.
Though nature be ever so generous, yet can she not make a hero alone. Fortune must contribute her part too; and till both concur, the work cannot be perfected.
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