A Quote by James Salter

Not necessarily narrow so much as impatient, intense. — © James Salter
Not necessarily narrow so much as impatient, intense.
I was a kind of hyper-intense person in my twenties and very impatient.
There are so many ingredients that are contained in 'The Wall' that were not necessarily contained in other Pink Floyd records, particularly following on from 'Animals,' which was very spare and sparse. Production on it was much more massive, the complexity of the recording was much more intense.
Being an impatient person, I wanted to do what my grandmother said: "Do as much as you can as fast as you can; be as productive as possible." But you must be patient. So I have struggled to balance patience with being an impatient person, and trying to find a happy medium.
It created in me a yearning for all that is wide and open and expansive. Something that will never allow me to fit in in my own country, with its narrow towns and narrow roads and narrow kindnesses and narrow reprimands.
Patience can be a good thing - but not necessarily. Sometimes it's not so bad to be impatient. I'm a little bit too polite.
When you narrow down your range and are looking through just that narrow aperture of the lens, the intensity of what you see is so much greater.
Other people can’t cause us to be impatient unless we let them do so. In other words, others don’t make us impatient. We make ourselves impatient, through our expectations and demands, fixated attachments and stuckness.
If you think customers are impatient in New York, wait to you see how impatient they are here in L.A.
A novel can enlarge the empathy and imagination of both its author and its reader, and my experience, that sense of enlargement is most intense when I'm transported beyond the narrow limits of my daily life.
I always wonder about the word 'intense.' 'Intense' is used to describe women. Guys are intense, but they don't get described that way.
I wrote a song called 'Red' and thinking about what that song means to me and all the different emotions on this album they're all pretty much about the tumultuous, crazy, insane, intense, semi-toxic relationships I've experienced in the last two years. All those emotions fanning from intense love, intense frustration, intense jealousy, confusion, all of that in my mind, all those emotions are red. There's nothing in between, there's nothing beige about those feelings and so I called my record that.
That intense faith in another world, that intense hatred for this world, that intense power of renunciation, that intense faith in God, that intense faith in the immortal soul, is in you. I challenge anyone to give it up. You cannot. You may try to impose upon me by becoming materialists, by talking materialism for a few months, but I know what you are; if I take you by the hand, back you come as good theists as ever were born. How can you change your nature?
What justifies a character singing one idea for 3 minutes on the screen? I get impatient and want the story to carry on. I don't get impatient in the theatre.
One thing I noticed when I was young was I was impatient for success. I think everybody is impatient for success. It will come. But don't - you shouldn't let that impatience drive you crazy.
As policy makers, our interest isn't necessarily the narrow interests of specific corporations but the national security interests of the United States.
It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.
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