A Quote by James Schuyler
However, if a poem can be reduced to a prose sentence, there can't be much to it.
Related Quotes
Traditionally poetry is written in lines. But the prose poem is the kind of poem that isn't written in lines. It is lyrical prose that uses the tricks of poetry, such as dense imagery. This is a big topic of debate in poetry land. There's no perfect definition.
If there is anything unique about my writing it is the way that I combine poetry and prose, not just on the level of having a poem here, prose there, but that it really is a true amalgam.
I think my prose - mine and that of others - sometimes slips into a cadence or rhythm that can replicate or come close to the music in a wonderful poem, and then it returns to the sound of prose.
I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the relationship to the sentence seems unconsidered or superficial, I have a really hard time reading the work.
I write about it in the book and, you know, explain that. But that was the technicality that actually got my sentence reduced - that Alan Dershowitz used to have my sentence - it came down eventually to eight years.
I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
To my mind, most prose poems are more prose than poetry. They don't possess most of the qualities of a poem.
I used the word 'prose' in the Trans-Siberian in the early Latin sense of prosa dictu. Poem seemed to me too pretentious, too narrow. Prose is more open, popular.
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
When I start writing a poem, I can usually know quite early on whether it's a lineated or prose poem, but I don't think I can explain how. It's like deciding whether to wear a skirt or a pair of pants.
I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.
I'll never be a minimalist. The fact that the prose is more tightly controlled doesn't for a minute mean that it's minimalist. I very much like arcane words and baroque sentence structure.
Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.
For me, prose is never a poem. Because with prose there are so very few tools to create the music. And one of the most important tools missing is the ability to create silences, as you can in poetry by how you fashion the lines and breaks within the lines and stanzas.
In high school I was leafing through an anthology that our teachers had given up and I found a poem, I go, "That's so strange. This poem looks so much like my grandfather's poem."
Love, I thought to myself abstractedly. Not 'This is love' or 'Is this love?' Not a sentence, not a certainty, not a thought with moving parts or direction. Just love, all of it, as it is. Whether it's enough or not. Wthether it's real or we're making it up. However shoddy it gets, or bent out of shape. It's still extraordinary. However foolish, however vain. However badly it ends. Love.
Related Authors
Alexander Pope Quotes
English
Poet
Emily Dickinson Quotes
American
Poet
George Herbert Quotes
British
Poet
Henry Wadsworth Longfellow Quotes
American
Poet
Homer Quotes
Greek
Poet
Horace Quotes
Roman
Poet
John Milton Quotes
English
Poet
Khalil Gibran Quotes
Lebanese
Poet
Lord Byron Quotes
British
Poet
Maya Angelou Quotes
American
Poet
Oscar Wilde Quotes
Irish
Poet
Ovid Quotes
Roman
Poet
T. S. Eliot Quotes
American
Poet
Walt Whitman Quotes
American
Poet
William Butler Yeats Quotes
Irish
Poet