A Quote by James Scott Bell

Think of it as the Doorway of No Return. The feeling must be that your lead character, once she passes through, cannot go home again until the major problem of the plot is solved.
I think action should be revealed through character, so if you have a plot problem, it's probably a character problem.
Every time you walk through a doorway today, whether at work or at home, know that on the inner planes you are walking through a doorway to heaven. An that is every doorway, as long as you recognise this in your consciousness.
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
I am absolutely sick unto death of hearing people say - they all say this; it must be Item One on the curriculum in Trend College - "I just hate to talk to a machine!" They say this as though it is a major philosophical position, as opposed to a description of a minor neurosis. My feeling is, if you have a problem like this, you shouldn't go around trumpeting it; you should stay home and practice talking to a machine you can feel comfortable with, such as your Water Pik, until you are ready to assume your place in modern society.
Through money or power you cannot solve all problems. The problem in the human heart must be solved first.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life. ... whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation.
Once a woman passes a certain point in intelligence she finds it almost impossible to get a husband: she simply cannot go on listening without snickering.
The second doorway has to do with vitality. It's about feeling alive, vital, and feeling the life-force flow through us. This doorway is also known as the creativity center and it houses a great sense of aliveness in it.
One must think until it hurts. One must worry a problem in one's mind until it seems there cannot be another aspect of it that hasn't been considered.
A teacher is not someone you need perpetually. You need them to show you how to get through the doorway; but once you get through the doorway, you are on your own.
I loved Ghana Must Go by Taiye Selasi. Its about a first-generation African family living in America that has to return home to Nigeria when their estranged father passes away.
I loved 'Ghana Must Go' by Taiye Selasi. It's about a first-generation African family living in America that has to return home to Nigeria when their estranged father passes away.
In short, I'm not sure that the abortion problem can be solved by legislation. I think it can only be solved through moral persuasion.
You must assume the feeling of the wish fulfilled until your assumption has all the sensory vividness of reality. You must imagine that you are already experiencing what you desire. That is, you must assume the feeling of the fulfillment of your desire until you are possessed by it and this feeling crowds all other ideas out of your consciousness.
If the problem can be solved why worry? If the problem cannot be solved worrying will do you no good.
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