A Quote by James Spader
I've had a lazy career. Sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side.
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I've had a lazy career, sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side.
I had an acting career for a little while back in the '90s. I had gotten into that because I was interested in acting, but I was not really as centered as I needed to be to fully pursue that career, and I was doing some films I thought were not of the best quality.
If I see a black kid in a hoodie and it's late at night, I'm walking to the other side of the street. And if on that side of the street, there's a guy that has tattoos all over his face, white guy, bald head, tattoos everywhere, I'm walking back to the other side of the street, and the list goes on of stereotypes that we all live up to and are fearful of.
Sometimes I'm doing a big movie, or sometimes I'm doing a TV show, but as an actor, it's almost the same thing for me. If I'm doing action, or comedy, or something more heartfelt, it's a different approach, but it's all acting for me.
Your ideas dry up sometimes, and you get lazy sometimes 'cause you're around the same people. That was the good thing about having different directors. You had to stay on your toes.
Sometimes I am more interested in the richness of the material with all the stuff we've done which all tell a story to me rather than any single film career I could have, because I really do find myself interested in other people's ideas. I just want to be responsible with an array of things that engage me and feel vital, opposed to the corporate media out there that is just about making the loudest noises possible.
I got so much out of 'The To-Do List.' This is a joke that I say about myself sometimes, in terms of my film career: I feel like I'm always playing the kid in serious adult movies. So, for me, it was so wonderful to suddenly be working with other people my age who were doing this on film.
It is difficult to say why I decided I wanted to be an artist. Obviously, I had some facility, more than other people, but sometimes facility comes because one is more interested in looking at things, examining them, more interested in the visual world than other people are.
Sometimes I just wonder if I'm being led by variety. If one film leads me down one path, sometimes I just want to turn around and head the opposite way for the next project. I hope that's not the case, but sometimes I suspect that.
Sometimes I highjack memories. Sometimes I switch them around. Sometimes they're just in the background, like some little bass note. Those things have carried me through, especially when I first started writing. They're still there, but more in the distance these days.
Sometimes a scene works and acting is the easiest thing in the world and you don't have to do much of anything - just enjoy yourself and listen to the other actor. When it doesn't work, then every actor has different ways of dealing with the impasse. Sometimes you use memories from the past. Whatever. It depends from job to job.
Books can be possessive, can't they? You're walking around in a bookstore and a certain one will jump out at you, like it had moved there on its own, just to get your attention. Sometimes what's inside will change your life, but sometimes you don't even have to read it. Sometimes it's a comfort just to have a book around. Many of these books haven't even had their spines cracked. 'Why do you buy books you don't even read?' our daughter asks us. That's like asking someone who lives alone why they bought a cat. For company, of course.
Some times I need to apologize, sometimes I need to admit that I ain't right, sometimes I should just keep my mouth shut, or only say hello, sometimes I still feel I'm walking alone.
I think, the argument sometimes that I've had with folks who are much more interested in sort of race-specific programs is less an argument about what is practically achievable and sometimes maybe more an argument of "We want society to see what's happened, and internalize it, and answer it in demonstrable ways." And those impulses I very much understand.
TV is longer form, and that's sometimes a positive, and sometimes a more challenging thing. As an actor, you want to be able to have your character develop or transform in some way. When you're acting on a show over the course of multiple seasons, you get to watch a character really grow and change, and go from one place to an entirely other place.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
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