A Quote by James Stockdale

It is in disaster, not success, that the heros and the bums really get sorted out. — © James Stockdale
It is in disaster, not success, that the heros and the bums really get sorted out.
If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.
There are times when I think, if I were a bit more famous, life could be easier in terms of work because producers want bums on seats, and they're going to get bums on seats if they get a name, if you have had that series on telly.
Not chasing success, I want to focus on my process. If I do that, eventually everything gets sorted out.
When some people were going around being surf bums and tennis bums, I was being a gallery bum. I really liked galleries.
Aren't most romance heros, or heros in fiction of any kind, generally superior to real men? Same goes for heroines and real women.
I think that's one of the biggest problems in rock is people thinking too much, putting too much emphasis on getting things perfect or completely sorted out. Sometimes that sound of not having everything sorted out is kind of cool.
Hopefully, next year if we can get everything sorted out and together.
I think it gets a little harder as you find more success. As success happens, you have to figure out this question of 'What I am going to do next that stands out?' Because then you get seen as 'this thing,' which is a part of you. But it's not really you.
You eventually get used to looking at girls picking their leotards out of their bums and that sort of stuff.
For me, when I have those moments of getting down on my body - let's say, for example, my stomach doesn't look my stomach before I had kids, just saying - that bums me out, so I really have to shift that negative into a positive and get really grateful for the fact that my body delivered me two amazing little girls.
It's not a field, I think, for people who need to have success every day: if you can't live with a nightly sort of disaster, you should get out. I wouldn't describe myself as lacking in confidence, but I would just say that the ghosts you chase you never catch.
I never know, when I start writing a story, what's going to happen, or how it will all get sorted out.
If you just literally stand still for a while, listen and think, things will eventually get sorted out.
I long for the simplicity of theatre. I want lessons learned, comeuppances delivered, people sorted out, all before your bladder gets distractingly full. That's what I want. What I know is what we all know, whether we'll admit it or not: every attempt to impose the roundness of a well-made play on reality produces a disaster. Life just isn't so, nor will it be made so.
The '90s were a bit of a disaster for me in so many ways. On a personal level, I don't think I could have toured. Also, I had some physical problems with my back that are now sorted and I just wasn't in the right state of mind.
The collapse of the world's banking system and the impending disaster of accelerating climate change are not separate phenomena. They are simply the most visible symptoms of a particular model of capitalism that will bring civilisation to its knees. But those symptoms will not get sorted unless and until we commit to a radical transformation of the way we create and distribute wealth in the world today
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