A Quote by James Stockdale

Yeah. I mean, it just seemed to me that it was - I felt so helpless to this business of not having any papers. That seems like a throwback to a schoolboy. — © James Stockdale
Yeah. I mean, it just seemed to me that it was - I felt so helpless to this business of not having any papers. That seems like a throwback to a schoolboy.
When I was a student in Kazakhstan University, I did not have access to any research papers. These papers I needed for my research project. Payment of 32 dollars is just insane when you need to skim or read tens or hundreds of these papers to do research. I obtained these papers by pirating them.
Yeah, my parents exposed me to horror movies when I was like 6 or 7. I mean exposed me in a good way, they didn't mean any harm.
Now, I made the most money I ever made in my life with 'Papers' - I think my first check was like $101,000, my folks couldn't even believe. At this time, this is like 2010, I'm still in the barbershop cutting hair, still being the regular Zaytoven because I felt like after 'Papers,' it wasn't going to get any bigger than that.
Having been familiar with "drunk" once or twice myself, that lick just came to me - and yeah, it sounded very drunk, so I presented it to Alice [Cooper]. It felt like he wrote the lyrics in about a minute.
I always felt that sci-fi and fantasy were my thing. Bit of a geek, I'm afraid. But I like creating worlds, and I felt it was a genre that gave me more freedom. It just seemed like I belonged there.
I always felt that sci-fi and fantasy were my thing. Bit of a geek, Im afraid. But I like creating worlds, and I felt it was a genre that gave me more freedom. It just seemed like I belonged there.
I just felt like actors - I watched a lot of 'SNL,' and those guys just seemed like they were superheroes - that that wasn't a reality for anyone other than people with superhuman strength. So, I mean, I acted a little bit in high school, but the idea of doing it professionally was just never really an option.
It felt after the Bonds, after my four outings as James Bond, there seemed to be unfinished business. And the way that the Bond finished in my life and the demise of Bond going off stage left into the night, it seemed like there was a certain void there, as they say, of unfinished business.
But, yeah, as far as Asian Americans go, I hope they know they can look at me and see that they can do music on their own, within a band or just on their own, and not feel like there's any barriers. I've never felt any particular barriers myself, being who I am.
I wondered if parents had an easier time with the secrets their children kept than children did with the secrets of their parents. A parent's secrets seemed like some sort of betrayal, where my own just seemed like a fact of life and growing up and away. I was supposed to be independent, but he was supposed to be available. Him having his own life seemed selfish, where me having my own was the right order of things.
In my Inaugural I laid down the simple proposition that nobody is going to starve in this country. It seems to me to be equally plain that no business which depends for existence on paying less than living wages to its workers has any right to continue in this country. By "business" I mean the whole of commerce as well as the whole of industry; by workers I mean all workers, the white collar class as well as the men in overalls; and by living wages I mean more than a bare subsistence level - I mean the wages of decent living.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
I think, probably when I was 15 or so, I was going through a really hard time with my family, and I just felt really helpless - I didn't know how to put anything I was feeling into words, and I was really confused, and I felt like nobody would hear me, but I didn't even know what to say.
What is your problem?” I asked, scooping the freezing mess out of my cleavage. “We got unfinished business,” he reminded me. “My name’s not Bill.” He chuckled. “Yeah, I loved that movie. Shoulda brought a katana, but it seemed like an unfair advantage.
Yeah, me and Q-Tip is cool outside of the business, but you know, within the business sometimes it can get ugly, you know what I mean?
The papers that flourish will be papers that serve a national audience. Papers that have figured out how to make the transition to the electronic platform that aren't simply providing a duplicate experience of the words on paper experience, but are doing something that arises organically from the new electronic medium. It's really just a matter of finding the right platforms for the way people want to read newspapers. I mean, maybe it will be the iPhone. But one way or another, newspapers on paper are just not really going to exist to any significant degree within a decade.
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