A Quote by James Surowiecki

Real politics is messy and morally ambiguous and doesn't make for a compelling thriller. — © James Surowiecki
Real politics is messy and morally ambiguous and doesn't make for a compelling thriller.
I always end up taking people that are morally ambiguous.
I tend to always love material with flawed protagonists and morally ambiguous people.
Nobody is ever just a straight up protagonist or antagonist - everybody's morally ambiguous.
Truth be told, I hear stories every day that would make you say, 'If you put that in a movie, you wouldn't believe it.' Real life really is kinda incredible; the stories from people's actual lives defy credibility. People's lives are messy, humans are messy, and they're flawed.
All men are naturally included to obscure the morally ambiguous element in their political cause by investing it with religious sanctity.
The more you talk about - and live by - your principles, the harder it will be for others to treat you in a morally ambiguous manner.
The most distinguishing element of my novels is that I try as hard as I can - within the context of a popular commercial thriller - to make them feel authentic. Drawing on real locations and real events is part of that authenticity.
If you're writing a thriller, and you don't make it compelling, then you've really not done your job. So it's easier for me not to set out with certain goals, and then I can't see them as unmet. It's like life generally: If I'm not aiming to be physically fit, then I'm not always thinking about being unfit.
I will always find a defense for characters, and that's why it's fun playing characters that are morally ambiguous, or are at least perceived superficially as being problematic.
If I see something that's morally ambiguous or ambiguously beautiful or has some pull in some way, I won't censor myself; I always run towards the light.
The politics of that year [2004] are old now, but the problem remains the same, the real culture clash of American life. It's between the essence of fundamentalism - paternalism, authority, and charity - and the messy imperatives of democracy, "the din of the vox populi" once derided by Abram Vereide. It's the difference between false unity, preached from above, and real solidarity, pledged between brothers and sisters - the kinds who are always bickering.
When I come clean about my brokenness, others catch glimpses of how the real grace of a real God works in the messy life of a real person.
I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
Anybody who sits down to write, and they think 'thriller,' maybe shouldn't be thinking that way. Maybe we should be thinking 'novel,' maybe 'thriller' way in the background, but that these are real people to whom things are happening. It just happens to be a hell of an exciting story.
Why are people so fascinated by how to eat Valomilks?’ She said, ‘Well, Dad, they’re round and they’re messy. But that’s what makes them fun. Once we get older we’re not supposed to be messy anymore. But for one moment when you’re eating a Valomilk, it’s okay to be messy again.
It's not all 'Jane Eyre' out there. In her sweet, honorable, slightly passive-aggressive way, Jane was as perfect as a protagonist can get while remaining interesting; in fact, she's one of my favorites. But most characters are more morally ambiguous.
This site uses cookies to ensure you get the best experience. More info...
Got it!