A Quote by James Surowiecki

Pop music thrives on repetition. You know a song's a hit when you've heard it so often that you'll be happy never to hear it again. — © James Surowiecki
Pop music thrives on repetition. You know a song's a hit when you've heard it so often that you'll be happy never to hear it again.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
I just write all the time. In my whole life I've never had what I've heard people talk about writer's block. I've never had that. Life is like a song to me. I just hear everything in music, so I have never once thought "Well, I'm never gonna be able to write again." I've got thousands of songs.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.
The best thing about being a DJ is making people happy. There is nothing like seeing people get up from a table to dance or the expression on their face when they hear a song they love. I also love to educate people on music they have never heard.
I'm not good at happy, lightweight kind of music. I'm not really good at pop music. 'Cars' is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
I'm not good at happy, lightweight kind of music. I'm not really good at pop music. "Cars" is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
[Best original song nomination in 2016] should be Wiz Khalifa for "See You Again," but this is an amazing song and it's easily the biggest song out of any of the songs nominated. It was a huge hit. And really, I'm just happy for Weeknd as a person.
You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
It'll never get old to hear a song that I wrote on the radio or to hear what someone experienced when they heard a song I wrote.
Jimi Hendrix once said, 'You will never hear surf music again.' Well, tonight, you will hear 'serf' music again - S-E-R-F music.
When you're like, 'Yo, we gotta write a hit song, we need a hit song right now,' that never works. Every time that happens, I never write a hit song.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over.
There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability.
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