A Quote by James Taylor
I'm glad about what's happening to the music business. This last crop of people we had in the 90s, who are going away now, they didn't like music. They didn't trust musicians. They wanted something else from it.
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There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn't like that for me. I didn't think of it as a job or a career - it was just something that was constant.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
Ultimately, I think there's this umbrella term of jazz, and what's cool about not just what's happening with my music but this general sense of what's happening with this generation of musicians, is it's a very broad term, and we can incorporate all types of music, and we can be influenced and inspired by all kinds of sounds.
Music for me is something I prefer to keep away form the whole business part of my life. I feel like everything I do, in a way, has some sort of business around it. So with my music I can have my privacy. If people don't have to pay for it then I think they can be a little more open to new ideas.
It's weird. I went so far away from music that I had to re-invent music again. I had to come back to music. I had to put music with an agenda down and at least write for my son, write to keep writing, but the idea of having a music career had to go away for a while.
Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses... that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.
Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.
After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.
After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.'
Some musicians make and record music; other musicians play in a band... I just make and record music, and I don't feel a part of anything in any music business.
I think if I wanted to get to a point where I could actually grow in my music, I had to almost step away from sampling so much and start making the kind of music that people wanted to sample.
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
The first thing I think about is music, and the last thing I think about is music. I'm like some Monk. I don't see a lot of daylight. I hang out with musicians, I hang out with directors and I just try to spend as much of my life as possible playing music.
I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
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