A Quote by James Thayer

I can only write one novel at a time. The author of the Perry Mason novels, Erle Stanley Gardner, often worked on four novels simultaneously, and produced a million words a year. I'm envious.
I only hope that I can regain my own identity once I decide that 'Perry Mason' and myself have come to the parting of the road. 'Perry Mason' has become a career for me... all I know is that I work, eat and sleep 'Perry Mason.'
Is it not superfluous to write more than one novel if the writer has not become, say, a new man? Obviously, all the novels of an author not infrequently belong together and are to a certain degree only one novel.
I once knew it. I only hope that I can regain my own identity, once I decide that Perry Mason and myself have come to the parting of the road. Perry Mason has become a career for me . . . all I know is that I work, eat and sleep Perry Mason.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
The difference does not lie in the things that news does that novels do not do, but in the things that novels do that news cannot do. In other words, this basic technique of news - just one among many - is something a novel can use, but a novel can deploy a multitude of other techniques also. Novels are not bound by the rules of reportage. Far from it. They're predicated on delivering experience.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Why do I like to write short stories? Well, I certainly didn't intend to. I was going to write a novel. And still! I still come up with ideas for novels. And I even start novels. But something happens to them. They break up. I look at what I really want to do with the material, and it never turns out to be a novel.
I have time to write 1-2 novels per year, and get roughly novel-sized ideas every month. I have to perform triage on my own writing impulses.
Now you mustn't think that I don't have any ideas for novels in my head. I've got ideas for ten novels in my head. But with every idea I have, I already foresee the wrong novels I would write, because I also have critical ideas in my head; I've got a full theory of the perfect novel, and that's what stumps me.
I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.
I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'realistic novels,' but they can also be fantastical, so it's nice to have a setting that grounds them a little bit.
When I write a novel, I want it to be completely different from a screenplay. I'm very conscious of the difference, and I want novels to work purely as novels. Otherwise I don't see how they'll survive - why don't we just all go to the movies or watch television.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.
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