A Quote by James Thomas Fields

The man who tells me an indelicate story does me an injury. — © James Thomas Fields
The man who tells me an indelicate story does me an injury.
For my own part, I would rather be in company with a dead man than with an absent one; for if the dead man gives me no pleasure, at least he shows me no contempt; whereas the absent one, silently indeed, but very plainly, tells me that he does not think me worth his attention.
If someone does me injury I must desire that this injury shall not degrade me. I must desire this out of love for him who inflicts it, in order that he may not really have done evil.
Science tells me God must exist. My mind tells me I will never understand God. And my heart tells me I am not meant to.
I think that sense of unreality inspired me to write the story within the book that [August] Brill tells himself, one of the stories he tells himself.
I'm not going to sit here and tell you that I'm perfect in every way, but I do know this. I'm a Christian man, and I go where God tells me to go. I do what God tells me to do, as best as I can.
Everything tells me that I am about to make a wrong decision, but making mistakes is just part of life. What does the world want of me? Does it want me to take no risks, to go back to where I came from because I didn't have the courage to say "yes" to life?
The only story my grandfather tells me about his days in the NFL is how much better he was than me.
All my life, I believe what my mind tells me; what my heart tells me. All the way back to Congo, it has worked for me.
A story, to me, has a particular sprite, like the angel of the spirit of that story - and it's my job to attend to what it wants to do. When I tell the story of Cinderella, the sprite does not want me to make it into an allegory of the fall of communism. The sprite would be unhappy if I did that.
Those who failed to oppose me, who readily agreed with me, accepted all my views, and yielded easily to my opinions, were those who did me the most injury, and were my worst enemies, because, by surrendering to me so easily, they encouraged me to go too far... I was then too powerful for any man, except myself, to injure me.
Basically, we've grown up very focused on the institution. The institution tells me what to do. It tells me where to go. It tells me what my career path is, and then I, sort of, attach my own personal desires, my own personal interests. I think we're living in a time where we're going to have to change - to put people in the center.
My position does not give me the liberty to exclude anything, but my mood tells me there will not be violence.
When I go to a cinema, I don't care if the film is made by a man or a woman as long as it tells me a story, as long as it offers pictures that shed light on my existence, characters I can identify with, jokes I can laugh at.
I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.
For me, when I see movies where I kind of know who the characters are and what the situation is, I get bored. To me, it's, "How do I tell a story that will keep the audience engaged?" A great story does that: it's not exactly what you expect.
It does me no injury for my neighbor to say there are twenty gods or no God.
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