A Quote by James Thomson
I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
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When Coleridge tried to define beauty, he returned always to one deep thought; beauty, he said, is unity in variety! Science is nothing else than the search to discover unity in the wild variety of nature,-or, more exactly, in the variety of our experience. Poetry, painting, the arts are the same search, in Coleridge's phrase, for unity in variety.
And so we shall have to do more than register and more than vote; we shall have to create leaders who embody virtues we can respect, who have moral and ethical principles we can applaud with enthusiasm.
There is more both of beauty and of raison d'etre in the works of nature- than in those of art.
In Calvinism and sectarianism man became more and more transformed into an abstract moral subject, as in Descartes he was considered an epistemological subject.
I'm a country girl. The more big cities I go to, the more fashionistas and designers I meet who want to dress me, the more I have all these kind of superficial but amazing experiences, the more I just realize that I'm from Gloucestershire.
True beauty is in the mind; and the expression of the features depends more upon the moral nature than most persons are accustomed to think.
Nothing can be more delicate without being fantastical, nothing more firm and based in nature and sentiment, than the courtship and mutual carriage of the sexes.
Animals are indeed more ancient, more complex and in many ways more sophisticated than us. They are more perfect because they remain within Nature’s fearful symmetry just as Nature intended. They should be respected and revered, but perhaps none more so than the elephant, the world’s most emotionally human land mammal.
A coquette is a young lady of more beauty than sense, more accomplishments than learning, more charms not person than graces of mind, more admirers than friends, mole fools than wise men for attendants.
Our heavenly Father is more liberal in His views, and boundless in His mercies and blessings, than we are ready to believe or receive; and at the same time more terrible to the workers of iniquity, more awful in the executions of His punishments, and more ready to detect in every false way, than we are apt to suppose Him to be.
Selfishness of the stable or rigid sort is as a rule more bitterly resented than the more fickle variety, chiefly, no doubt, because, having more continuity and purpose, it is more formidable.
Good nature is more agreeable in conversation than wit and gives a certain air to the countenance which is more amiable than beauty.
There is a certain period of the soul-culture when it begins to interfere with some of characters of typical beauty belonging to the bodily frame, the stirring of the intellect wearing down the flesh, and the moral enthusiasm burning its way out to heaven, through the emaciation of the earthen vessel; and there is, in this indication of subduing the mortal by the immortal part, an ideal glory of perhaps a purer and higher range than that of the more perfect material form. We conceive, I think, more nobly of the weak presence of Paul than of, the fair and ruddy countenance of David.
So far as I am concerned, I think more of reasons than of reputations, more of principles than of persons, more of nature than of names, more of facts than of faiths.
(1) I have told you more than I know about osteoporosis. (2) What I have told you is subject to change without notice. (3) I hope I raised more questions than I have given answers. (4) In any case, as usual, a lot more work is necessary.
Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in nature. Art brings it out, and gives it more transparent forms. It is here that art, when it knows well its power and resources, engages in a struggle with nature in which it may have the advantage.
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