A Quote by James Thurber

We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.
In school, when we lived in New Jersey, we went to Broadway a lot, so I saw a lot of Broadway plays, and I just loved being able to see people play a different character and, you know, be able to be themselves at the end of the night. So, I've always wanted to do it.
Everybody has parts of themselves that they're not 100% happy with - that's what makes you human. And being an actor, your job is to play human beings. Your job is to play real people.
Most of the theater I've done in the past was when I was a kid or a teenager so it feels like being a kid again. I'm happier than I've ever been. You really get to go to work every day and play, and try different things. I don't know, I've never felt so lucky to do this job. So I hope to do a lot more theater.
So what's so enticing about doing a play is that you get to do that thing that got you into acting in the first place... There's a real attraction to being able to play, to just play. And that's something that theater affords you.
When you meet another human being, you meet the physical self, then you meet the psychological self that's behind it, which is their mental conditioning, their patterns of behavior and so on. And then, there is a deeper level to every human being that transcends all of that. I can only sense that in another human being and relate to another human being on that deeper level if I have gone deep enough within myself.
The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
People do not believe that there is something like Sahaja Yoga, that there is a power in every human being which is universal and which can be enlightened. It is something beyond the conception of human beings that they can achieve this kind of a spiritual growth within themselves.
I believe in recognizing every human being as a human being--neither white, black, brown, or red; and when you are dealing with humanity as a family there's no question of integration or intermarriage. It's just one human being marrying another human being or one human being living around and with another human being.
When I was younger, I would see shea butter being sold on the street, and I was interested how people were still coating themselves in the theater of Africanism. You see that in dashikis and hairstyles and music.
I think to an extent every human being needs to be redeemed somewhat or at least needs to look at themselves and say, 'I've made mistakes, I'm off course, I need to change.' Which is probably the hardest thing for a human being to do, and maybe that's why it interests me so.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
When I moved to New York, I didn't know how much improv and comedy would play into my life. I thought I was going to do theater and Broadway and stuff.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
How can anyone be called human, if being born a human being and growing in a human society, he does not recognise human values? You must see that you don't harm any living being. He alone is a redeemed being who causes no pain to others and avoids pain to himself.
You know, Castle, like anyone else, is a human being first. If you take a human being - especially a vain one like 'Castle' -and you bring in a gorgeous woman and have sparks fly, who can help themselves? What are you gonna do? Sparks happen!
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