A Quote by James Turrell

I want to create an atmosphere that can be consciously plumbed with seeing, like the wordless thought that comes from looking in a fire. — © James Turrell
I want to create an atmosphere that can be consciously plumbed with seeing, like the wordless thought that comes from looking in a fire.
I want to create an atmosphere that can be consciously plumbed with seeing... like the wordless thought that comes from looking in a fire.
I just love the idea of never seeing a city before and seeing the glow in the distance, and it just looking frightening, like you're driving into a fire.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
The history of mankind for the last four centuries is rather like that of an imprisoned sleeper, stirring clumsily and uneasily while the prison that restrains and shelters him catches fire, not waking but incorporating the crackling and warmth of the fire with ancient and incongruous dreams, than like that of a man consciously awake to danger and opportunity.
Conflicts create the fire of affects and emotions; and like every fire it has two aspects: that of burning and that of giving light.
The reason we have the stars twinkle at night is because the light is being kind of blurred by the atmosphere around the Earth. That is why the Hubble Space Telescope is so good, because it is above the atmosphere. So it is kind of like looking at the sun from the bottom of a swimming pool, versus looking at the sun above the swimming pool.
n artistic atmosphere does not create artists a literary atmosphere does not create literators; poets and painters spring up where there was never a verse made or a picture seen. This suggests that God is no more idle now than He was at the beginning, but that He is still and forever shaping the human chaos into the instruments and means of beauty.
We want Miitomo to create an atmosphere that's distinctly Nintendo.
With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set.
You want something, you dwell upon it consciously for a while, you consciously imagine it coming to the forefront of probabilities, closer to your actuality. Then you drop it like a pebble into Framework 2, forget about it as much as possible for a fortnight, and do this in a certain rhythm.
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.
I think it's important to create an atmosphere where actors feel like they can try things out. It doesn't mean that I'll take every suggestion, but I want there to be some room for actors to grow.
You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs or hypocrites. Subconsciously there are many people you hate." "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously.
When you're dealing with Hollywood people, it creates a tight, tense atmosphere through the whole thing. And I don't like to work in that kind of atmosphere. I like to make my movies in a kind of relaxed atmosphere.
You have to love writing a song and architecture. You have to give it a form. It is my job to create a sonic landscape. I like to create ambiance and atmosphere. The writing is the intimate part of it. It is a sketch. The production is the whole painting.
You're the brightest thing I've ever seen, Kaylee. You're this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out -- if i tried to touch you -- I'd get burned. Because you're not mine. I'm not supposed to feel the fire. I'm not supposed to want it. But I do. I want you, Kaylee, like I've never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
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