A Quote by James Turrell
The works of previous artists have come from their own experiences or insights but haven't given the experience itself. They had set themselves up as a sort of interpreter to the layman... Our interest is in a form where you realize that the media are just perception.
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The media we surround ourselves with allows us to manufacture our own experience every day, which is a perception of the world that is our own invention entirely, whether it is on social media or what we choose to absorb. This was very different when I was a kid, like generations before us we were exposed to things that were not entirely on our terms. We had to wrestle with and find the relationship with the world around you. It was literal experience, unlike the form of protracted psychic masturbation that is the digital world we live in.
Experience is stronger than belief. Once we have experiences our mind begins to open. This works better than me forcing my own experience or knowledge onto anyone. Show them how to have their own experiences.
Growing up, my parents were my heroes in the way they conducted their lives. My dad works in child protection. As kids, our experiences shape our opinions on ourselves and the world around us and that's who we become as adults, because of that experience. He's certainly been my hero. A hero is someone who puts themselves on the line and sacrifices their own safety for the greater good and for others. And I think anyone in any sort of profession where the welfare of other people instead of individual is inspiring and important.
And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
My background is in painting but in school in the sixties, like many artists of that time, I believed that painting was dead. I began to work in collaboration with other artists in the creation of performances and installation works. Soon after, I started making video and photographic works and in the process became fascinated with the media itself. Before long I was setting things up just for the camera. In l970 I got a dog and he turned out to be very interested in video and photography as well.
When I'm on the set, I'll come up with ideas if I'm sort of just between responsibilities, because there's a lot of sitting around on set. Invariably, though, the stuff I come up with on the set tends to be bad.
Because our entire universe is made up of consciousness, we never really experience the universe directly we just experience our consciousness of the universe, our perception of it, so right, our only universe is perception.
Simply according artistic works the same protection as nonartistic works may not be sufficient to protect creativity. After all, the very essence of artistic expression is invention and artists necessarily draw on their own experience. But if the rules of liability are unclear, artists will not be able to know how much disguise is sufficient to protect their claims from the claims of those who may see themselves in the portrayals.
If people want insights, if they want to swim in the currents of their own time and share the experiences of their time, then it makes sense to engage with the artists of one's own time.
Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today.
It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
Now I'm coming up to 50 I'm sort of bound to play people who have children. Do I mind? Not in the least. Other people's perception of you is how this industry works. It's what I do, but I have a whole real life which is nothing to do with that perception of me.
You should form your own opinions, and I think that's why social media is good because it's an alternative source of information that can help you form your opinion, that might not be your parents, and might not be what the media is trying to force down your throat. So that's why it's important for artists and musicians to speak up, because for those people who have an inkling that their parents' views aren't right or that their parents don't have any views or whatever, that's an alternative source of information that can help them form their own opinion.
Lucifer protests he was never to blame for inducing anyone to sin, and that he’s never had an interest in owning souls: 'They die, and they come here – having transgressed against what they believed to be right – and expect us to fulfill their desire for pain and retribution. I don’t make them come here… I need no souls. And how can anyone own a soul? No, they belong to themselves. They just hate to have to face up to it.
I like to compare the first experiences of the Internet - the fortuitousness, the chance - with reality, with the experience, for example, of being in a city that you don't know. Many times - and I don't know if I can totally defend this argument - I've found that the way one experiences the world, and daily life, we are constantly dealing with these perceptions. And it seems like it works, this superficial perception of determinacy, but it's completely ridiculous.
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