A Quote by James Turrell

Usually we are illuminating things instead of looking at the light itself. But I like this quality of the light being the revelation. — © James Turrell
Usually we are illuminating things instead of looking at the light itself. But I like this quality of the light being the revelation.
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
I’m interested that light has thingness itself, so it’s not something that reveals something about other things you’re looking at, but it becomes a revelation in itself.
...angels... are always being filled full of light, becoming ever more radiant and making blessed use of their natural ability to change. They dance for joy around the First Light, look continuously towards Him and are enlightened directly by Him, as they tirelessly sing the praises of the Fount of light and, being ministers of light, transmit illuminating grace to those lower beings who are being enlightened.
In thinking of light, if we can think about what it can do, and what it is, by thinking about itself, not about what we wanted it to do for other things, because again we've used light as people might be used, in the sense that we use it to light paintings. We use it to light so that we can read. We don't really pay much attention to the light itself. And so turning that and letting light and sound speak for itself is that you figure out these different relationships and rules.
The artist's view of the world and mankind is that which seeks as far as possible to lose itself in its object, illuminating it not from the outside by some light foreign to it, but from within, deriving light from its own core.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
Like wind-- In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course. Like light-- In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses. Like wind. Like light. Just this--on these expanses, on these heights.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Light has called forth one organ to become its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light.
Everything is shown up by being exposed to the light, and whatever is exposed to the light itself becomes light.
Not every light is a true light; To the wise the light of truth is light itself.
The way the universe evolves in consciousness of itself and causes itself to be. We are just this blessed consciousness, nothing more, nothing less. We are the light inside light that fuses into the atoms of our bodies; we are the fire that whirls across the stellar deeps and dances all things into being.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
Light itself is a revelation.
And light has no weight, / Yet one is lifted on its flood, /Swept high, /Running up white-golden light-shafts, /As if one were as weightless as light itself - /All gold and white and light.
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