A Quote by James Turrell
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
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Plays are wonderfully different than short stories, first because it's a story that's on a stage, but there's a different sort of tension that appears on stage - you get to see your characters in a different way - like with lights.
It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth. I didn't feel like a giant. I felt very, very small.
Almost everything worth doing in human life is very difficult in its early stages and the good we are aiming at is never available at first, to strengthen us when we seem to need it most.
Looking out at the ocean, it's easy to feel small - and to imagine all your troubles, suddenly insignificant, slipping away. Earth's seven oceans seem vast and impenetrable, but a closer look tells another story.
I think when you're an adult you start to like the very things that make you different. If you obsess about some defect, you make it obvious to everyone, and suddenly everyone is staring at just that defect. It's always like that. The more you hide something, the more it shows. But when you accept your defect, suddenly no one on earth sees it anymore.
Allowing the fly to sink to the fish's level, the angler makes a retrieve. The fly comes directly at the fish, which suddenly sees its approach. As the small fly get nearer, the fish moves forward to strike, but the tiny fly doesn't flee at the sight of the predator. Instead it continues to come directly toward the fish. Suddenly the fish realizes intuitively that something is wrong(its never happened before), so it flees until it can assess the situation. An opportunity for the angler has been lost.
The first view of the Earth is magical. It is a very overpowering realization that the Earth is so small. It affected me. I could not get over the notion that in such a small planet, with such a small ribbon of life, so much goes on. It is as if the whole place is sacred.
"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.
Since I didn't grow up going to school dances, etc., I didn't have the normal . . . I grew up in a very different way so a lot of the childish concerns or teenage concerns weren't my concerns. My concerns were survival.
I went in with Jack and Leslie, into this room that was lined with brick, and there on the side I can remember very clearly was this small model with plates for the bases - the original model with everything screwed together.
Who are you?" "I am Death," said the creature. "I thought that was obvious." "But you're so small!" "Only because you are small. You are young and far from your Death, September, so I seem as anything would seem if you saw it from a long way off-very small, very harmless. But I am always closer than I appear. As you grow, I shall grow with you, until at the end, I shall loom huge and dark over your bed, and you will shut your eyes so as not to see me.
When you're used to seeing someone being coldly efficient on court and suddenly they go on stage and into your world - it's fascinating.
If anything, when you're up in space and you're inside a space ship, which is your home, and without which you would not survive, you know that Earth is your home. This is the only place you can return. In fact we're very meticulous. Part of our job is to maintain the spaceship. If we apply the same kind of model to Earth maybe we'd have a different outlook.
It is difficult, but intriguing, to imagine seeing the world as a fly might. First, flies don't have nearly the same visual resolution that we do... so you have to imagine a fuzzier image. Second, fly eyes are faster than our own and are very sensitive to motion.
The Earth is a very small stage in a vast cosmic arena.
The relationship between the audience and the dancers goes through many different stages. Someone seeing my work for the first time may or may not pick up on that.
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