A Quote by James Turrell

I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark. — © James Turrell
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
I have this problem where I get incredibly, miserably nervous every single show. This is part of why touring is so exhausting for me. I have not gotten to a place where it's like, "All right, here's another." It just doesn't feel workaday, at all, yet. It's kind of killing me, being so nervous so many hours of the day. After the show - we try to end on an anthemic note, and I try and let that be decisive, and I will often come back out for an encore a cappella, and that's where I try and take leave from the feelings of the stage. Trying, after I do that, to return to my life.
There's a very mathematical, mechanical side to architecture, and I probably lean more toward that aspect of it, though I'm terrible at numbers. But that side appeals to me more than the decorating aspect.
Have you ever noticed how grateful you are to see daylight again after coming through a long dark tunnel? Always try to see life around ya as if you'd just come out of a tunnel.
We see but one aspect of our neighbor, as we see but one side of the moon; in either case there is also a dark half, which is unknown to us. We all come down to dinner, but each has a room to himself.
Chinese buildings are like American buildings, with big footprints. People don't care about daylight or fresh air.
Space is dark but, of course, when we're on the sun side of the Earth, we're in full illumination and we have all the reflection of the Earth below us, beautiful blue Earth and we're in daylight. Only on the back side, opposite side of the sun, it seems like night to us, too.
It often happens that you leave your house in the dark, shoot on a sound stage without natural lighting, and then go home in the dark. A whole week can go past, and it can feel like 12 hours.
I've always thought the best way to teach a kid not to be scared of the dark is to fill his daylight hours with as much horror as possible.
I’ll feel that horrible feeling in my stomach you get when you’ve gone over to the Dark Side. But I’ll be fine. That’s the good thing about the Dark Side. Eventually, your eyes adjust.
There might not be so much of a difference between the side of Light and the side of Dark as you suppose. After all, without the Dark, there is nothing for the light to burn away.
My favorite dark comedy, which is also one of my favorite films of all time, is 'After Hours.' I've seen 'After Hours' as much as almost any film I've ever seen in my life; I've watched it dozens of times, and I still watch it once a year. I still get a thrill out of it every time I see it.
My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependence on someone to distract your attention. You are living without it: you are on vacation.
Yes, I definitely prefer the daylight population of the playing fields to that which comes there after dark.
Are not the thoughts of the dying often turned towards the practical, painful, obscure, visceral aspect, towards the "seamy side" of death which is, as it happens, the side that death actually presents to them and forces them to feel, and which far more closely resembles a crushing burden, a difficulty in breathing, a destroying thirst, than the abstract idea to which we are accustomed to give the name of Death?
It's funny shooting movies because you get to see clubs during daylight hours, which no one should ever see - it's not pretty; there's a reason the lighting is dim in there.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
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