A Quote by James Van Allen
I was a kind of a one-man army. I could solder circuits together, I could turn out things on the lathe, I could work with rockets and balloons. I'm a kind of a hybrid between an engineer and a physicist and astronomer.
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Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
I knew I could never be an actor as a man. It just doesn't work, you know? And so when I was doing drag, I realized I could do that kind of stuff, and then when I was transitioning, I kind of gave up on the whole thing because I didn't think that this time would ever come, you know?
It was all very well being told that she could do nothing to make things better. Neverfell did not have the kind of mind that could take that quietly. She did not have the kind of mind that could be quiet at all.
In my youth, when I tried to plan for the future, I had wished to be an engineer so I could get work with technology while writing sci-fi after hours. I figured that if I got lucky, I could then turn into a full-time writer.
The two of us could form a new kind of union; we could be free together.
In retrospect, I think I had some kind of learning disorder. I could kind of charm my way through grade school, but in high school... I could never seem to grasp things.
The unemployed, poverty-stricken white man must be made to realize that he is in the very same boat with the Negro. Together, they could exert massive pressure on the government to get jobs for all. Together, they could form a grand alliance. Together, they could merge all people for the good of all.
I wished there was some kind of switch on my brain. That I could turn it off in the same way that I could turn off the television. Just click it off and immediately empty my mind of all these images and worrying thoughts. And simply leave a blank screen. Or if I could just remove my head and put it on the bedside table and forget about it until morning. And then attach it again when I needed it.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.
My husband actually quit his job as a civil engineer so that he could travel, so we could be together as a family while I played professionally, which was crazy.
I tell a person, "If I could go home with you tomorrow and you and I could spend the day together from maybe 8:00 to 6:00, and we went out to a restaurant at 6:30, I could tell you with a high degree of accuracy how successful you're going to be." That's huge because I'm just going to look and see, what kind of attitude do you have, how do you relate to people, how well do you prioritize your life? I'm going to see all of those things in the process of a day.
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
It could be seasonal allergies, it could be pneumonia, it could be the common cold, it could be flu. And so it takes tests and lab work and resources and scans to parse out if this is COVID-19 or if this is something else.
It's kind of condoned in our society: There are things that an abusive mate could get away with with their partner that they could not with a stranger.
I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
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