A Quote by James Van Der Zee
I tried to see that every picture was better-looking than the person.
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There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
I've tried to be a better person... I've tried, and tried and tried! You know how hard I've tried! Tell me how I've tried..." "Nice try... Five cents, please!
Don't you see yourself in every picture you love? You feel a radiance wash through you. It's something you can't analyze or speak about clearly. What are you doing at that moment? You're looking at a picture on a wall. That's all. But it makes you feel alive in the world. It tells you yes, you're here. And yes, you have a range of being that's deeper and sweeter than you knew.
It's far better to shoot a good picture than a good-looking picture.
I compare a lot of life to looking at a map through a straw. The less ability you have to see life in a humorous way, the smaller the straw is that you're looking at the map of life. You're not looking at the whole picture. You can't see the whole topography without it, and it can help you to make better choices.
I always assume I look better than I actually do. I'll feel pretty good about myself when I leave the house, then I'll see a picture and think, 'Crap, I had no idea that's what I was looking like.'
Sometimes, if I see a picture and I can make it a bit better, then I will, like everyone else does. I've been Photoshopped in every picture since I started modelling.
I tried every diet in the book. I tried some that weren't in the book. I tried eating the book. It tasted better than most of the diets.
I’ve noticed that the people who started on film still have the ability to see the person in front of them. Whereas for a lot of photographers who have only ever worked in digital, the relationship between the photographer and the person who they’re taking a picture of sort of doesn’t exist anymore. They’re looking at a computer screen as opposed to the person.
I tried to think of a witty play on Every picture tells a thousand words, but then the whole word/picture thing collapsed on me.
There is no better exercise than to study and devour a picture, and then, without looking at it again, to attempt the next day to reproduce it.
I tried to be a better person for her– but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. […] You have no clue how beautiful you are or how brightly you shine.
I think it happens to a lot of people who make music just on a computer by themselves, you don't see the bigger picture. You don't see the forest for the trees. You're looking at every tree so closely, and every tree looks so cool. But you're making a forest, man, you're not making a tree.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
If you met Faith Hill in person, you would think she's absolutely beautiful. And when you take her picture, you will see every flaw that you never saw in person. Those flaws not only become visible but magnified.
I just feel like I understand Cameron Diaz better than I ever have before, and I don’t like it. I don’t like to see everything I see. It’s like a magnifying mirror only soulful, and I’m not looking at her, I’m looking at us, you know? And our pores are huge.
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