A Quote by James Van Praagh

I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.
I'm old enough now that I've been around and I've seen a lot more things than I had seen when I started this program 27 years. I have seen presidents in action. I have been to the White House a number of times. I have been to fundraisers. I have been seen what happens at fundraisers. I've seen how elected officials treat fundraisers and donors and, believe me, the world revolves around them.
Superman has been around for so long; he's been around for, what, eight decades now? And he goes through these different eras where different aspects of who he is get emphasized.
Charlie Murphy has been around for a long time. I've worked with a lot of exciting artists, and it was a thrill to be around to watch them display their skills.
Most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
In fact, most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
In general, working on a horror movie is no different than working on any movie. Turn the camera around and there's 20, 30 people standing around, eating doughnuts, smoking cigarettes between takes, working, like any other set.
I was looking for a dog when I was around 9 or 10 years old. I'd just moved to L.A. and I was working on a lot called Hollywood Center Studios. One day, a dog adoption company came to the lot and were passing around flyers saying they'd have RVs the next week full of adoptable dogs from a no-kill shelter. So I was really happy about that.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
I think the biggest thing is kind of working everywhere and working with different people that, when I did walk through the door at WWE and looked around, I didn't really feel that out of place because every second face I looked at is somebody I've known for over a decade or worked with or I've been around in some capacity in the industry.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
I've worked with a lot of different producers, a lot of different writers on the album, so I mostly feel like I learned a lot about what I don't want to do the next time around.
You're talking about a whole camera crew and being mic'd up professionally everyday and just having another group of people following you around. It's a little different than having friends pick up a camera and follow you around.
Mac Dre has been around a long time. E-40's been around a long time. JT the Bigga Figga, Rappin 4-Tay. There's been a lot of guys that been around a long time, but they all grew up listening to Too $hort.
I've been around in WWE for quite a while now and before that had - even in Florida - I've been all around the world and seen every type of style in opponent; the way I was trained and stuff, I got a lot more tricks up my sleeve.
A lot of my friend's mothers and parents worked at Paramount Studios, so I would always go. I met the Fonz when I was really young, like four or five years old. I was always around people in entertainment all the time throughout my whole life.
There are times when you need to step back and realize that movie studios today are not necessarily the same things that they were many years ago. Many movie studios are international conglomerates now. They own everything from theme parks to toy companies to T-shirt companies to video companies. There's a lot of different wheels to be greased.
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