A Quote by James Veitch

I just feel so upset when I think of all the lost years when I could have been doing stand-up gigs. — © James Veitch
I just feel so upset when I think of all the lost years when I could have been doing stand-up gigs.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
Actually, I've been doing stand-up on the quiet for the last 15 years, in the form of corporate gigs.
When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
You do stand-up because you have to do it. If you're doing it to become 'famous,' you're wrong. If you're doing it to become a millionaire, you're doing it for the wrong reasons. In 2003, I was flat broke. I'd been doing stand-up for 14 years at that point. I loved it and just kept at it.
I love doing stand-up, and the more you do outside of stand-up to raise your profile, the better your stand-up becomes in terms of the quality of gigs.
I started doing stand-up when I was 15 and doing Letterman when I was 20. So I've been doing stand-up comedy and clubs for over 30 years. That's a long time.
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
You could feel the place going crazy because we hadn't been on stage together for maybe 35 years and the audience could just feel us in the darkness come on and they went nuts. It made the little hairs stand up on the back of my neck and we sang Sit on My Face, which I thought was wonderfully appropriate for George's memorial, and then we bowed and we showed our bare asses.
At college, I felt frustrated thinking three years was a long time and I just wanted a job but afterwards I was in employment the whole time. I got into a theatre company and started doing stand-up gigs for cash, so I lived hand-to-mouth, but there was always enough to pay the bills.
I try to keep performing as much as possible - I just like to. I used to take huge gaps off between gigs, now I just like to do stand-up gigs as much as I can.
I might get a break again, and I might get back on telly. If I don't, I'll just keep doing stand-up and doing the best gigs I can.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
I probably wouldn't be doing comedy, if it wasn't for the fact that I was doing stand-up and getting a few gigs, while I was also applying for law internships and getting absolutely nothing.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
It's just to break things up between stand-up gigs. I would only do it periodically. Maybe just an East Coast thing.
I've been doing stand-up for a few years, and I have a handful of fans just from stuff I've done, like 'Last Comic Standing.' And as a fan of stand-ups myself ... like, when I first discovered Sarah Silverman, I wanted to know everything about her life.
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