A Quote by James Vincent McMorrow
My first record was made in Termonfeckin, which is a small town on the north-east coast of Ireland. I had been in London, but it didn't click. So, at home, I didn't think about making something, just whether something could be made. There was no grand plan.
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I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.
I went to college in North Carolina, so something about being in the East Coast is home for me.
When I graduated from high school, I made the decision to pursue my dance training in London, England. I was so scared at first, not knowing if this little girl from small town Canada could possibly make it with these highly trained London dancers.
Because I first made my name as a rapper claiming South Central L.A., people often assume I'm strictly a West Coast cat. But my family was actually from back East. I was born in Newark, New Jersey, and grew up in Summit, an upscale town in north Jersey.
Just take the lack of presence of F1 in the United States. In theory - and logically - you would have an East Coast Grand Prix, a West Coast Grand Prix, and I think you should have a street race in Detroit - it is still the motor capital of the US. You stay in the US for four weeks and could have two to three races, certainly two.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Fashion gave me the platform that has made this transition from fashion to Hollywood, from East Coast to West Coast. Fashion gave me the platform that has made this easier than it is for a lot of other people. And I will always count fashion as the industry that was first to welcome me and embrace what I could do.
And I remember that about three years before that, her first record had come out. And I just remember really liking this one song off it called "In My Bed" and being a little bit enamored. This, you know, this young kind of Jewish girl from North London, you know, I have the same thing - from a Jewish family from North London - with this incredible voice.
I had just got married when I started writing my fourth novel. I'd come back from honeymoon, moved into our first house - a gorgeous little carriage house in London - and made my office on the third floor, overlooking the treetops in North West London.
I had made a vow to never stay in my home state to play, I wanted to go as far East Coast as possible, more or less to get away from my family life. I ended up staying in my home state and fell in love with it. I ended up having a beautiful relationship with my family over time and it was the best decision I've ever made.
I wondered whether I could find a Great Perhaps here at all or whether I had made a grand miscalculation.
I felt like I was an outsider. I think what happened to me made me develop this street sense of watching people and working out what made them tick, wondering whether I could trust them or not. I went to a lot of schools along the coast in California, made few friends and stayed with aunts, uncles and grandparents while my folks tried to make ends meet. It was tough. We had no money.
Life is funny isn’t it? Just when you think you’ve got it all figured out, just when you finally begin to plan something, get excited about something, and feel like you know what direction you’re heading in, the paths change, the signs change, the wind blows the other way, north is suddenly south, and east is west, and you’re lost. It is so easy to lose your way, to lose direction. And that’s with following all the signposts
When I sold my flat in Glasgow, I bought a little cottage on the North Yorkshire coast. Whenever we go up from London to stay there, I'm just like, 'I'm home! I'm home in Bronte-land!'
I might have made more money if I had outsourced to India, and I knew I'd find it easier to hire senior managers in London. But I wanted to be in Stoke. What could be more satisfying than creating work for 3,000 people in my home town?
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
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