A Quote by James Vincent McMorrow

I heard of this Texas studio. The owner, Tony Rancich, wanted to fly us out for the day to see the studio. I booked it the next day. He's that rare guy that is in it purely for the love of it.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
One day it was that I wanted to go make a movie with my kid and then another day it was that I wanted to climb Mt. Kilimanjaro and another day it was that I wanted to sit in the studio and figure something out. All those things manifested themselves into what the TV show was.
When I'm in the studio, I stay in the studio, like, sometimes 20 hours out the day.
I love being in the studio. If I'm at home, I will go to the studio pretty much every day anyway. It's just something that I like to do.
I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"
A lot of people have said 'people should see you work in the studio,' because a lot of people don't realize I'm an actual engineer. I don't walk in and have some guy grab the board. I have my own studio and soldered every wire in the studio.
Most of the time throughout my day I like to keep it light. Go to the mall or drop by a friend's house, go talk with my family. And then after that it's studio. Studio is kind of a process. It's like an all day thing.
I thought I was going to be a rapper as a kid and used to hop the train down to Jazzy Jeff's studio for, like, six months straight waiting outside of the studio for the big break, and one day we got in the studio and played our demo for Will and Jeff and quickly learned that we weren't that good.
Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.
I moved my studio to Palm Springs 'cause I don't like the idea of going to a studio every day like a job... I need to make a personal record, so I need to be in a house... I don't want to be in a studio where people can hear the music 'cause I don't know what it is yet.
The most calmest place I can be is the studio. And like, I stay in there 'cause I know, when I come out, it's back to reality. Man, if you're angry all day, man, stay in the studio.
If you're in a commercial studio, you've got to be out by the end of the day, and it can be paralyzing, but if you have your own studio you move fast because you don't care. If you don't care, you can be patient, and also think fast.
I love swimming, and when I'm choreographing something I'm in the studio dancing all day, every day.
Normal, day-to-day things inspire you to write. I try to travel and chill, and go out and enjoy the outdoors. That makes you see the real world. Not just in the studio or at concerts. I live it up as normal as I can.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
I like making work in my studio day in and day out, but I'm not so interested in the business side
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