A Quote by James Vincent McMorrow
All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.
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After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
I guess my guitar heroes shifted from people like Jimmy Page and Jimi Hendrix to people like Johnny Marr or John Squire.
When you heard Jimi Hendrix, you knew it was Jimi Hendrix. He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.
Jimi Hendrix is the greatest guitar player in the world... a guy who mastered that instrument. It was talking when he played. And when he did a solo, he made the guitar cry - or made it sound like it was coming from the devil's amplifier.
I love Jimi Hendrix obviously, and Jimmy Page and Prince. And also Elvis Presley is a really great guitar player. I don't think he ever took lessons; he was piecing it together himself. But he has great rhythm. And rhythm, to me, you can use it to your advantage if you're not all over the fretboard.
I'm the youngest of three boys, and my oldest brother was super into Jimi Hendrix and Eric Clapton and played guitar. I wanted to be like him, so I asked for a guitar of my own for Christmas in '93.
I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
Oddly enough, Hendrix is not my favorite guitar player. There are very few guitar players I get feeling from.
I probably spent more time as a kid playing air guitar to Jimmy Page than any other guitar player.
Jimi Hendrix is one of the main influences on why I wanted to play guitar. He really shook me. I think it was his whole style - the look and what he did with the guitar.
I'm not like other guitar players. In fact, I'm not even like most acoustic players because I use the nylon-string acoustic. I do play steel-string and the electric guitar, too, because I love rock 'n' roll and guitarists like Jimi Hendrix. But my bread and butter has always been the nylon-string.
I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing.
One guy can ruin an instrument. Jimi Hendrix, bless his heart - how I wish he was still around - almost inadvertently ruined guitar. Because he was the only cat who could do it like that. Everybody else just screwed it up, and thought wailing away (on the guitar) is the answer. But it ain't; you've got to be a Jimi to do that, you've got to be one of the special cats.
I couldn't sing without a guitar. I like the way it feels to sing and be holding a guitar, even if I'm not playing it that much. All my idols that I grew up liking always had a guitar on them, but they didn't play it - Buddy Holly, John Lennon, Lou Reed, Elvis Costello. It's like having a partner with you.
When I was in high school, there were these British blues-rock-type bands with really good guitar players that would jam on one song for half an hour. And as much as I was amazed by some of those guitar players, seeing them prompted me to make a note that that's not something I could do.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
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