A Quote by James Wan

I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.
I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do. There's something about creating life out of things that have no life.
I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.
"I guess I'm okay with that. But it's not going to be easy for you. They don't have a lot of fishing or mudding around here." "I figured." "And not a lot of beach volleyball, either. Especially in January." "I guess I'll have to make some sacrifices." "Maybe if you're lucky, we can find you some other ways to occupy your time."
I think that we're our own worst enemies in a lot of ways, especially when it comes to doing work where you're criticized a lot or doing work where there's a lot of hater directed at you; and to not constantly second-guess yourself.
A mathematician is a person who can find analogies between theorems; a better mathematician is one who can see analogies between proofs and the best mathematician can notice analogies between theories.
I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album ["Wild Things"] finished. I actually went through a lot to even get the album started.
When I'm speaking in front of 15 and 20,000 people and I'm up there using a lot of motion, I guess in it's own way, it's a pretty healthy act. I really enjoy doing it. A lot of times these rooms are very hot, like saunas, and I guess that is a form of exercise and, you know?
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
There was a big age difference between me and my brothers - about 10 years - so I was an only child for a long time. I used to hang out a lot on my own. I played a lot of weird games with a lot of imaginary people. I guess it's kind of roleplaying.
He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.
We're going to miss Damon. He was a great shooter. . . . He got what he wanted, but he gave up a lot. No more night life, no more warm weather and no more a lot of media attention. . . . I guess this was his first shot at getting something big. I guess he had to take it.
I think I have a certain respect for people, you know. And I guess a lot of times I expect that respect to go both ways.
One can imagine that the ultimate mathematician is one who can see analogies between analogies.
I guess I originally got the bug for performing when I was in choirs and school stuff and all that. I don't know when. I guess I decided to do it because a lot of people said I was good, and I liked the attention.
Good mathematicians see analogies. Great mathematicians see analogies between analogies.
Watching 'Dark Crystal' now, having made Muppet films, it really strikes me just how ambitious that film is in terms of the constructs, the builds, the puppeteering.
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