A Quote by James Wan

I didn't direct any of the 'Saw' sequels, but people thought I did. — © James Wan
I didn't direct any of the 'Saw' sequels, but people thought I did.
The 'Saw' sequels went in a direction I wouldn't have gone in. With 'Insidious 2,' I wanted to push a potential franchise in the direction I thought it should go in.
I would happily have done any of the 'Bourne Identity' sequels. There are good sequels, but I'm not good at making them.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.
I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.
As a kid, I never thought I saw myself as unusual. I always thought that lots of people could do what I did. More and more I realized I was wrong.
Like a lot of people, for a long time I thought that the road to hell is paved with bad sequels.
People make sequels a lot in Hollywood, and sometimes it feels like there's never an original thought.
I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
The reason why people don't get called back to sequels is because they did badly in the original [movie].
I didn't go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
Nobody sees the same movie. I'm sure there are people who saw Butch Cassidy and the Sundance Kid and thought "Finally a gay movie about men who really care about each other. Thank God!" That's not what I saw necessarily but I don't think any two people see the same movie.
In 2007, in the early 2007, everybody saw the housing market was falling, and at any given moment a lot of people thought it was going to fall more, and a lot of people thought it was going to rebound. You just didn't know.
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