A Quote by James Wan
'Poltergeist' was really the film that really scarred, but fascinated, me with puppets and dolls, clowns and stuff like that.
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'Poltergeist' was really the film that really scarred but fascinated me with puppets and dolls, clowns, and stuff like that. I've always been afraid of clowns, and then my fear of puppets came around, and 'Poltergeist' was the perfect combination to scare me with a clown doll.
'Poltergeist' was the film that scarred me for life. I saw it at such a young age - 5 or 6 years old - and it has one of the creepiest doll sequences with the clown, and ever since then, I've just been fascinated by dolls.
I would love to learn how to paint motorcycles and stuff like that. I really, really am fascinated by that.
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
I really didn't want to expand the negative vision of clowns because clowns are not intrinsically scary.
I really love action. I really love doing my own stunts. I would love to do more of that. I've done a lot of TV, but my heart is really in film. I really look forward to the film possibilities. I would love to dance in a movie again. I love all those creative aspects, like playing an instrument or dancing. I look forward to all that stuff, in future roles.
I like things to be really, really funny, or really, really dramatic. Those books are certainly the ones that grab me. I like the exercise of reading through a paragraph, and it's just torture. I try not to have my eyes dart to the right. That's the stuff that I love.
I have always found clowns really fascinating, especially on film. Even as a kid I was never scared of them.
I've always had a really developed sense of justice. As a child, I would rotate my dolls' dresses for fear that they might come alive at midnight and one of them would always have the best dress on. Whatever it was that made me worry about my dolls I suppose has paid off in my career because, really, an actor is all about empathy and imagination. And those are the cornerstones of activism.
Puppets and dolls are the gateways between human beings and objects. There are tons of cliches to spout about puppetry and animism, the primacy of the object, attacking anthropocentric worldviews, etc, and while there were always puppets around, I started working with them to deal with the times I knew I wouldn't be able to collaborate with other humans, to have a team.
I really like women who are able to be classy and poised and really well put together when the time is right, but also be complete clowns.
I just really want to do stand-up and act in stuff that I like. And do stuff that makes me really happy.
It's funny what you really see when you're the subject of the completely bizarre gossip magazine industry. It's just like, 'WHAT?!?' All this stuff with Emilie [de Ravin, his costar in Remember Me] as well. The tabloids say stuff like 'They went on a date to an Indian restaurant.' We were doing a scene! There's a film crew there!
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
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