A Quote by James Wan
I've always said if I had to pinpoint what's more important in a scary movie, the soundscape or the visuals, I'd pick the sound.
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If I had to pick one scary movie, I'd go with John Carpenter's 'The Thing.' That's probably number one.
I was in the very first Scary Movie and then the last Scary Movie 4, so I don't know. I heard they're doing another one, but I'm not sure yet. Of course, I'd love to work on Scary Movie 5. That'd be great.
And the sound of your heart," he continued. "It's the most significant sound in my world. I'm so attuned to it now, I swear I could pick it out from miles away. But neither of these things matter. This," he said, taking my face in his hands. "You. That's what I'm keeping. You'll always be my Bella, you'll just be a little more durable.
I'm a huge, huge fan of Blu-ray. I think the picture and the sound quality is just such a massive improvement, and I think for movies like 'Event Horizon,' where the image is a key part of that film, and also the sound, as well, in any scary movie is an important element.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I've always enjoyed film, but I'm a little afraid of it because I think it is very powerful as a medium. You have the visuals, the sound, the colors, all of these things coming at you, and they transport you physically so it becomes this surround sound, virtual reality.
When you're in a club or a theater or even an arena, yeah, you want visuals, you want a good light show. But Slayer has always been about the sound. We have to sound good. It has to be tight.
You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'
John Logan was kind of wrapping up - "Well, thanks for coming in..." - and I thought, "Oh, God, this is over and I'm out of here, and I really don't want to leave."So I said, "Can I ask you a question?" He said, "Sure." "What movie do you think you've seen more than any other movie?" And he said, "Wow, let me think about that. I guess probably The Searchers." And I said, "Well, oddly, that's the movie I've seen more than any other movie." And I wasn't just BS-ing. It's true. It's my favorite movie.
Remember what I said about the mosquitoes?" "Which part" asked Maggie. "The scary part, the really scary part, the legitimately terrifying part, or the part that makes suicide sound like an awesome way to spend the evening?
I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.
Sound and sound design has always been very important to my approach to film, because it is a more subversive and allusive aspect of the medium.
Actors have to learn that they are as important to a movie as the camera is, as important as the sound is, and less important than the script is.
I've seen a lot of movies that were great and scary, but not particularly fancy in their filmmaking or performance. And they're still scary, and I think a good horror movie should be scary above all things.
My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room.
'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help.
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