A Quote by James Wan
'Poltergeist' was really the film that really scarred but fascinated me with puppets and dolls, clowns, and stuff like that. I've always been afraid of clowns, and then my fear of puppets came around, and 'Poltergeist' was the perfect combination to scare me with a clown doll.
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'Poltergeist' was really the film that really scarred, but fascinated, me with puppets and dolls, clowns and stuff like that.
'Poltergeist' was the film that scarred me for life. I saw it at such a young age - 5 or 6 years old - and it has one of the creepiest doll sequences with the clown, and ever since then, I've just been fascinated by dolls.
No clowns were funny. That was the whole purpose of a clown. People laughed at clowns, but only out of nervousness. The point of clowns was that, after watching them, anything else that happened seemed enjoyable
We always talked about the sequel to 'Clown' being called 'Clowns,' like an 'Alien'/'Aliens' sorta thing, where you have multiple clowns. And just really make it, in the way that 'Aliens' was an action movie, do the same thing. Action-horror. That would be great.
Okay," I said, "what's your biggest fear?" As always, he took a second to think about the answer. "Clowns," he said. "Clowns." "Yup." I just looked at him. "What?" he said, glancing over at me. "That is not a real answer," I told him. "Says who?" "Says me. I meant a real fear, like of failure, of death, of regret. Like that. Something that keeps you awake nights, questioning your very existence." He thought for a second. "Clowns.
Puppets and dolls are the gateways between human beings and objects. There are tons of cliches to spout about puppetry and animism, the primacy of the object, attacking anthropocentric worldviews, etc, and while there were always puppets around, I started working with them to deal with the times I knew I wouldn't be able to collaborate with other humans, to have a team.
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
Steven Spielberg's name was all over 'Poltergeist,' and 'E.T.' was out the same year, which every single parent took their child to. So despite 'Poltergeist' being a horror movie, I convinced my parents to let me see it. It was terrifying. I guess this says a lot about me as a six-year-old, because I loved it.
It's kind of fun to be a clown. I've always played the clown. The clowns come on, get the biggest, juiciest laughs, and then leave.
Everyone hates clowns," Otis said. "Even other clowns hate clowns.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
I really didn't want to expand the negative vision of clowns because clowns are not intrinsically scary.
With John Wayne Gacy - the serial killer who dressed up as a clown - there's just something about clowns I don't trust. I don't think they're particularly funny. They're a little spooky. Not my sense of humor, I don't laugh at clowns.
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
Sausage Party is my first animated film, and there's a doll of me. There's a doll of all the characters. There's a doll of me, and I found it on Amazon. It just came out. I ordered it, and I just got it the other day. I was like, "I'm going to order 25 more of these." My daughter really loves it.
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