A Quote by James Wan

I love the idea of being the underdog, coming in with a take on this underdog character and completely blow people's expectations away. Like, 'Oh, you thought he was going to be a wimpy character? No no no.'
Everybody loves the underdog, and then they take an underdog and make him a hero and they hate him. But as long as they can knock you back down, it seems like if you're an underdog again, and things do surface, and they think this is real, 'these guys' intentions are genuine and sincere,' it seems like they will embrace you again.
America champions the underdog. We champion the underdog until he's not the underdog anymore, and he annoys us.
I'm very open to fresh talent, and I love the underdog, people who have been counted out, because they come in with a different type of hunger. I'm all for the underdog, so I'd like to talk to anybody who shows up with that sort of thirst.
I love being the underdog. It's one of the reason I like making horror movies, because a lot of people don't like them or are prejudiced against them. So it's one of the many reasons I like horror and it's also the reason I like low budget, because it automatically makes us the underdog.
Comedians usually are rooting for the underdog. I mean to take a shot at an underdog I think is really stupid and low and not funny.
Everybody likes the underdog, because everybody feels like the underdog. No matter how successful you are, you always think, 'No one's being nice enough to me!'
Everybody likes the underdog, because everybody feels like the underdog. No matter how successful you are, you always think, No one's being nice enough to me!
People tend to favor the underdog, like in the movies we favor the underdog, but when it comes to voting, we vote for the bully. It's so strange.
Compassion without wisdom is dangerous. It's what enables people to support the 'underdog,' even if the underdog is evil
Everybody loves the underdog, and then they take an underdog and make him a hero and they hate him.
I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
It's no better feeling than coming into a game being the underdog, and everybody going around telling you you can't win, and people say we going to lose by this much and that much.
From my point of view, I am the underdog going into this fight. I'm not saying I'm not. But I'm the underdog because I haven't fought at that level yet against anyone of Canelo's level.
The Villain wasn't necessarily something I sat down and thought, 'Oh this is going to be my character.' It's most like other great wrestling characters, where it's more of a reflection of my actual character.
I think the very idea of character, of developing not just grit, but empathy and curiosity, emotional intelligence - you know, the things that I want my own daughters to develop - the idea that we're going to get there through rewards and punishments seems completely at odds with the idea of character itself.
When the Negro was completely an underdog, he needed white spokesmen. Liberals played their parts in this period exceedingly well.... But now that the Negro has rejected his role as an underdog, he has become more assertive in his search for identity and group solidarity; he wants to speak for himself.
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